拾萬杭州 | 展览现场 | Taka Kono：俊雄在这
拾萬空间（杭州）非常荣幸地带来日本艺术家Taka Kono（鸿野隆）的首个中国个展。展览名称源自艺术家2021年在美国新泽西darkZone空间所做的一件墙面喷字作品：《俊雄was here》。“俊雄”是日本著名恐怖电影《咒怨》中的男童，Taka以此牵连出自己对于鬼怪和神魂的关注，本质上是对现实中无力感的一种浪漫化回应。
Hunsand Space (Hangzhou) is delighted to present the first solo exhibition in China by Japanese artist Taka Kono. The exhibition's title originates from a wall-spray piece the artist created in 2021 at the darkZone space in New Jersey, USA: "俊雄 was here." "俊雄"（Toshio）refers to a character from the famous Japanese horror film "Ju-on," and Taka explores his fascination with ghosts and spirits, essentially providing a romantic response to the feeling of powerlessness in reality.
展览现场｜Exhibition View
作品图及细节图｜Artwork Images and Details
Taka Kono | 鸿野隆
Godsend (energy drain2)
织物、木材、石膏、染料、绳索、环氧树脂、水泥、钉子、锡
Fabric,wood,plaster,dye,ropes,epoxyresin,cement,nails,tin
175×270cm
2023
Taka Kono | 鸿野隆
Separation, serration
旧雨伞，头发 | Found umbrellas, hair
尺寸可变 | Size Variable
2023
Taka Kono | 鸿野隆
Godsend (eclipse 1)
水泥、石墨、钢、绳索、锡 | Cement, graphite, steel, ropes, tin
16×16cm
2023
Taka Kono | 鸿野隆
Godsend (eclipse 3)
水泥、石墨、钢、合成纤维、绳索、锡 | Cement, graphite, steel, synthetic hair,ropes, tin
15×15cm
2023
Taka Kono | 鸿野隆
Godsend (3)
头发、水泥、钢丝、扎带 | Hair, cement, steel wire, binding tape
56×4cm
2021
Godsend (1)
头发、水泥、钢丝、扎带 | Hair, cement, steel wire, binding tape
55×5cm
2021
Taka Kono | 鸿野隆
Godsend (2)
头发、水泥、钢丝、扎带 | Hair, cement, steel wire, binding tape
57×15cm
2021
Taka Kono | 鸿野隆
Godsend (energy drain 3)
织物、木材、石膏、染料、绳索、环氧树脂、水泥、钉子、锡
Fabric, wood, plaster, dye, ropes, epoxy resin, cement, nails, tin
130×90cm
2023
Taka Kono | 鸿野隆
Drain water chrysalis
环氧树脂、头发、铜、墨水、松户河水 | Epoxy resin, hair, copper, ink, river water from Matsudo
50×150×20cm
2022
Taka Kono（鸿野隆）, 1994年出生于日本神户, 他在雕塑、装置和表演中探索恐怖和亲密关系的复杂交叉点。Taka的作品常以湿发和排水沟为主题, 这些元素概括了他艺术探索中令人不安但又令人熟悉的领域。
展览中的黑暗，反映的是我们不可避免的人类普遍状况, 而不是灌输恐惧。而湿润的感觉则反映了我们人类生存的流动性和其经常令人不安的特质。Taka的作品迫使观众面对现实, 通过接受来激起宣泄。另外，他的作品还涉及到“缺席”这一主题, 缺席不是空洞，而是作为与过去存在共鸣的空间，这一概念促使观众与曾经存在的回声发生互动。
Taka Kono 亦艺术策划了一场恐怖和亲密的舞蹈, 促使观众审视他们的恐惧和欲望。它呼吁人们认识到不适, 拥抱复原力, 并参与到一个经常被回避的对话中——这些对于理解我们共同的人类状况都是至关重要的。通过这种交流，Taka 为我们集体心理中经常沉默的方面发出了声音。
近期精选展览包括：EASTEAST (科学博物馆, 东京, 日本, 2023)，Terminal B (Smena Center of Contemporary Culture, 喀山, 俄罗斯, 2022), down4u (Ritsuki Fujisaki Gallery, 东京, 日本, 2022), GARDEN OF GODS (SXSW x ultrastudio, 休斯顿, 美国, 2022), only only makes sense if there’s nothing else (darkZone, 新泽西州, 美国, 2021), dream knowledge, no, ledge, noh, no knowledge (mcg21xoxo, 松户, 日本, 2020)。
Taka Kono, born in 1994 in Kobe, Japan, explores the intersection of horror and intimacy in his sculptures, installations, and performance pieces. Notably, Taka’s work features motifs of wet hair and drains, elements that encapsulate the unsettling yet familiar terrain of his artistic exploration.
Darkness in his exhibitions mirrors our inescapable human condition rather than instilling fear, while a sense of wetness reflects the fluid and often disconcerting nature of our human existence. Taka’s art compels viewers to confront their realities, provoking catharsis through acceptance. His works also engage with the theme of absence, not as a void, but as spaces resonating with past presence. This notion prompts viewers to interact with the echoes of what once existed.
Kono’s art orchestrates a dance of horror and intimacy, pushing viewers to examine their fears anddesires. It calls for the recognition of discomfort, the embrace of resilience, and participation in anoften avoided dialogue - all crucial in comprehending our shared human condition. Through thisexchange, Kono gives voice to the often silent aspects of our collective psyche.
Recent selected exhibitions include: EASTEAST (Science Museum, Tokyo, Japan, 2023), TerminalB (Smena Center of Contemporary Culture, Kazan, Russia, 2022), down4u (Ritsuki Fujisaki Gallery, Tokyo, Japan, 2022), GARDEN OF GODS (SXSW x ultrastudio, Houston, USA, 2022), onlyonly makes sense if there’s nothing else (darkZone, New Jersey, USA, 2021), dream knowledge,no, ledge, noh, no knowledge (mcg21xoxo, Matsudo, Japan, 2020).
王希民：湍濑激人
2023年12月30日 - 2024年2月1日
相关链接：
拾萬 ｜ 石家庄
深入太行山
相关链接：
六年书
拾萬空间，于2014年成立于北京草场地艺术区，2018年迁址到北京798艺术区。2021年底开设石家庄分馆拾萬当代艺术中心，并于2023年底迁至石家庄市井陉县北障城村。2023年初在杭州市西湖区转塘街道的孵鸡湾建立分部。拾萬北京总部位于798包豪斯建筑集群中的一处二楼下陷式空间，石家庄分部深入到太行山古村落中的一座老教堂，而杭州空间则改造自龙坞茶山旁的一间农舍。拾萬空间对常规化的展览保持警惕，希望从当代艺术的语境出发，通过持续的展览和项目，来回应我们共同的生存境遇，激发出当下文化中被忽视的部分。
Hunsand Space was established in 2014 in the Caochangdi Art Zone of Beijing. In 2018, it relocated to the 798 Art District in Beijing. At the end of 2021, Hunsand Space opened a branch, Hunsand Center for Contemporary Art, in Shijiazhuang, and by the end of 2023, it had moved to Beizhangcheng Village in Jingxing, Shijiazhuang. In early 2023, a new branch was established in Fujiwan, Zhuantang, Xihu, Hangzhou. The Beijing headquarters of Hunsand Space is located within a sunken two-story building in the Bauhaus architectural complex within the 798 Art District. The Shijiazhuang branch delves deep into an old church within a historic village in the Taihang Mountains, while the Hangzhou space has been transformed from a farmhouse near the Longwu Tea Plantation. Hunsand Space remains vigilant against the standardization of exhibitions and aims to respond to our shared existential experiences, sparking the often overlooked aspects of contemporary culture through ongoing exhibitions and projects.