艺术家访谈 INTERVIEW | 奥罗尔·德·拉·莫里内裡 Aurore de la Morinerie
艺术家访谈 ARTIST INTERVIEW
1.1
Q
你于2011参与了塔拉基金会的驻留项目并在加拉帕戈群岛和厄瓜多尔进行考察。加拉帕戈群岛和厄瓜多尔并不是热门的驻留处，艺术家也很少把他们当做目的地。你是如何了解到此驻留项目的？
奥罗尔·德·拉·莫里内裡 (以下简称“莫里内裡”)
我和阿涅斯·B（Agnès b.，塔拉基金会创始人）合作了很多年，她总是极力支持塔拉项目。她了解我的品味，知道我渴望描绘大自然，建议我加入这场非凡的冒险。
”1.1
Q
In 2011 you participated in the residency with Tara Foundation and you traveled with Tara to Galápagos Islands and Ecuador. Galápagos Islands and Ecuador may not be familiar residency destinations for many people, even artists. How did you learn about this residency with Tara?
Aurore de la Morinerie (Hereinafter referred to as "A.M.")
I have had the opportunity of working with Agnès b. for many years, and she has always been a great supporter of Tara. She was aware of my desire and taste for illustrating nature and suggested I join this incredible adventure.
”Plankton 5 浮游生物 5，2015，Monotype on Japan paper，单板印刷印于日本纸，20 x 30 cm | image，30 x 40 cm | with frame
1.2
Q
在参加前，你对驻留项目抱有哪些期待？在塔拉号上的经历对你作为艺术家和插画师的生涯产生了什么影响？
莫里内裡
这趟旅程有科学家和探索者作伴，让我深受启发，不仅使我得以深入了解人类世界，还带我解锁了未曾探索过的动物世界。
”1.2
Q
What did you expect before the residency, and how did the residency impact your career as an artist and illustrator afterwards?
A.M.
This journey with scientists and explorers has been a revelation for me, not only on a human basis but also in the discovery of an unexplored animal world.
”Plankton 1 浮游生物 1，2015，Monotype on Japan paper 单板印刷印于日本纸，30 x 40 cm | image，45 x 55 cm | with frame
2.0
Q
你为 “The Dawn of Modern Exploration” 创作的作品非常的独特——它看起来像是一只巨大的蝠鲼，又像海洋微生物的集合体。你能否谈谈作品背后的构思？绘制插画的技法如何影响了这幅作品的创作？
莫里内裡
就墨水的运用而言，单刷版画的技法可以表现出浩渺的迷晕感，从而绝美诠释深海生物之谜。
”2.0
Q
What did you expect before the residency, and how did the residency impact your career as an artist and illustrator afterwards?
A.M.
The monotype technique allows for greater mystery when it comes to using ink. It can beautifully translate the mysteries of the depths and inhabitants of the ocean.
”Plankton 2，浮游生物 2，2015，Monotype on Japan paper，单板印刷印于日本纸，20 x 30 cm | image，30 x 40 cm | with frame
3.0
Q
作为一位插画家，你曾和数个时尚品牌合作过。当下，时尚产业及快时尚与环境保护之间的关系渐渐被公众所关注，你对时尚产业和环保之间的关系有何看法？
莫里内裡
我非常关注这个问题，也很希望我的作品可以更多地用来表现二者之间相对健康的关系。
”3.0
Q
As an illustrator, you have been working with a number of fashion brands throughout your career path. It has also become a key topic, when it comes to the relationship between fashion/fast fashion and environmental protection. How do you see the relationship between the fashion industry and environmental protection?
A.M.
I feel very concerned about this issue and wish for my work to be increasingly used as a means to expose a healthier relationship between both.
”Plankton 3，浮游生物 3，2015，Monotype on Japan paper，单板印刷印于日本纸，20 x 30 cm | image，30 x 40 cm | with frame
4.0
Q
你希望给观众带来怎样的观展体验？你在创作时会预先想象出一个观众群体吗？
莫里内裡
我希望这次展览可以引人入胜，让观众也有和我在塔拉之旅里所产生的同等环境意识。预先设想观众群体的话，还要看作品和主题的性质。
”4.0
Q
What kind of exhibition experience do you hope to bring to the audience? Do you anticipate an audience during the creation of your work?
A.M.
I hope that this exhibition will fascinate the audience and create the same level of environmental consciousness I was able to gain during this fantastic journey aboard Tara. As for anticipating the audience beforehand, it truly depends on the nature of the work and topic.
”Plankton 6，浮游生物 6，2015，Monotype on Japan paper，单板印刷印于日本纸，20 x 30 cm | image，30 x 40 cm | with frame
5.0
Q
你最近正在进行哪些创作？能否与我们分享一些将来的企划？
莫里内裡
我现在在做一本地中海神话绘本。还有另外一个出版项目，内容涉及香水工艺和生鲜材料的用法。总的来说，我的创作总是围绕自然、设计和时尚展开。
”5.0
Q
What are you working on recently? Can you share some of your future projects with us?
A.M.
I am currently working on a book of drawings around the Mediterranean Sea and its wonderful mysteries. Another book project on perfume making and the use of raw materials is also in the works. Overall, I dedicate my work to exploring the subjects of nature, design, and fashion.
”关于艺术家 | ABOUT THE ARTIST
© Pol Baril
Aurore de La Morinerie，法国艺术家、插画师，毕业于巴黎杜培瑞高等应用美术学院时装设计部，同时学习中国国画和书法。
20世纪90年代，Aurore为多个巴黎高定设计师绘制插画，并在法国报纸和其他国家杂志上刊登过作品，如《New York Times》、《T Magazine》、《Harper's Bazaar》，ELLE法国版，《AD安邸》等，取得了巨大成功。
她的作品曾在多个专门展出时装画的展览中展出，包括2010年在伦敦设计博物馆，同时巴黎市时尚博物馆加利耶拉宫委托创作了两组绘画。她的十件作品现已成为博物馆永久馆藏。
2011年5月，她被邀请加入塔拉科考船，并在加拉帕戈群岛和厄瓜多尔进行考察。科考期间，她受深海无限形式的启发，专注于抽象研究。
French artist and illustrator, Aurore de La Morinerie is a graduate of the Superior School of Applied Arts Duperré in Paris where she specialized in fashion design. At the same time, she learned Chinese painting and calligraphy.
Her success as an illustrator is confirmed in the 1990s while she works for many Parisian haute couture designers and publishes her drawings in several newspapers in France and abroad such as New York Times T Magazine, Harper’s Bazaar, ELLE France, AD.
Her drawings have been exhibited in several exhibitions dedicated to fashion drawings, including at the London Design Museum in 2010, and the Museum of Fashion of the City of Paris – Palais Galliera ordered her two series of drawings. Ten of her artworks are now part of the museum permanent collection.
In May 2011, she was invited to join the Tara crew for an art residency onboard between Galapagos Islands and Ecuador. During this trip, she focused her researches on abstraction, inspired by the infinite forms of the deep sea.
当前展览 CURRENT EXHIBITION
塔拉海洋基金会合作项目「Deep Blue -致敬塔拉号」
DEEP BLUE
A TRIBUTE TO TARA
塔拉海洋基金会合作项目
In Collaboration with Fondation TARA Océan
策展人 Curator | 陈楸帆 Stanley Qiufan Chen
参展艺术家 | Participating Artists
大小岛真木 Maki Ohkojima
雨果·德维切尔 Hugo Deverchère
欧若尔·德拉莫里奈里 Aurore de la Morinerie
米歇尔·特曼 Michel Temman
弗朗索瓦·奥拉 François Aurat
21/09 > 27/10/2019
上海市衡山路199号永平里105栋
Bldg 105, Yong Ping Lane, 199 Hengshan Road, Shanghai
策展人前言 Preface | 信仰深蓝 In Deep Blue We Trust塔拉号：15年来艺术家的海上栖所 | TARA: 15 YEARS OF ARTIST RESIDENCES ON BOARD