《外国文学研究》2023年第5期主要论文摘要

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2023年第5期(总第223期)

中外学者对话：

马克思主义文学批评经典重铸与当代拓展

Paul Patton

标题：德勒兹、马克思和文学

Title: Deleuze, Marx and Literature

内容摘要：本文在简要概述德勒兹的作品后，分别探讨了他的独著和他与加塔利合著的文本中与马克思和马克思主义的关联之处。随后，文章讨论了德勒兹的学术生涯中与文学和文学作品的不同相遇，以及这些相遇的不同的时期划分方式。最后一部分聚焦于德勒兹生命主义哲学，及其如何在他后期对英美文学的讨论中得以凸显，最后以弗吉尼亚·伍尔夫的《海浪》为例进行了总结。

Abstract: After a brief outline of Deleuze’s work, this article surveys his relation to Marx and Marxism in his solo writings and in his texts co-authored with Guattari. It then discusses the varied encounters with literature and literary works in the course of his career, along with the different ways in which these can be periodized. The final section focuses on Deleuze’s enduring philosophical vitalism and the manner in which this comes to the fore in his later discussions of Anglo-American literature, concluding with an example from Virginia Woolf’s The Waves.

罗伯特·塔利 著  方英 译

标题：马克思主义与文学空间研究

Title: Marxism and Spatial Literary Studies

内容摘要：马克思主义话语常被认为极具“时间性”，但人文、社科领域的“空间转向”之后，马克思主义理论和实践中的空间、地方和绘图问题受到了更多关注，而相关研究表明，空间和时间一样，在马克思主义批评理论和实践中都具有核心地位。本文认为，空时性恰恰内嵌于马克思主义话语的许多概念之中，而马克思主义则是从事文学空间研究最合适的批评性话语。本文立足于弗雷德里克·詹姆逊等人的研究成果和对叙事文本的考察，以绘图作为关键概念，旨在讨论文学空间研究如何借鉴马克思主义批评来更有效地揭示文学和社会空间之间的联系。对支撑着叙事形式和内容的空间辩证法展开研究，然后分析文学空间和社会空间的历史性生产，同时考察我们借以理解自身时空情境的多重参照系。文章发现，以马克思主义为导向的文学空间研究有助于更好地理解我们所处的动态世界体系，为未来的发展开拓想象性空间。

Abstract: Marxism has frequently been considered a discourse of high timeliness. After the “spatial turn” in the humanities and social sciences, however, more attention has been paid to the issues of space, place, and mapping in Marxist critical theory and practice in which, as we see in research findings, both space and time are playing an essential role. This article argues that spatiotemporality is embedded in many concepts of the Marxian discourse, whereas Marxism is the most suitable critical discourse for conducting spatial literary studies. By drawing from the work of Fredric Jameson and other theorists, examining some narrative texts, and relying on mapping as the key concept, this article aims to explore how spatial literary studies can more effectively disclose the connections between literature and social space with the help of Marxist criticism, look at the spatial dialectics underpinning narrative form and content, and analyze the historical production of literary and social spaces, while assessing the multiple frames of reference by which we understand our situations in space and time. Finally, the article shows that a Marxist-oriented spatial literary studies will facilitate a better understanding of the dynamic world system of which we are a part and open up imaginative spaces for future development.

魏天无

标题：《共产党宣言》的诗意、诗性语言与反讽

Title: Poeticality, Poetic Language and Irony in The Communist Manifesto

内容摘要：作为“宣言体”的开创者，《共产党宣言》的诗意、诗性语言历来为人称道。《宣言》在诗性语言中体现出的澎湃激情和浪漫主义气质，既与时代精神密切相关，也与早期马克思的诗作有直接联系。《宣言》一方面重视普通民众在诗与诗意上的普遍意识和接受心理，另一方面以呼告中的移位、反讽式隐喻打破人们的“单一视镜”，冲击其头脑中固有、僵化的观念。《宣言》文体的嬗变，诗性语言的运用，都是服务于解释真理、启蒙大众、驳斥反动派荒谬言论的终极目的。《宣言》既顺应也修正了人们对诗性语言的认知：它是直抵事物真相的语言，是感性与理性、热情洋溢与务求实际、创造性与批判性辩证统一的言语方式。

Abstract: As a precedent of the “manifesto genre,” the poeticality and poetic language of The Communist Manifesto have been applauded constantly. The outpouring passion and romantic temperament in its poetic language are closely related to the spirit of the time and the early poetic works of Karl Marx as well. On the one hand, the Manifesto accentuates the public’s understanding and perception of poetry; on the other hand, with the shift in summoning and the use of ironic metaphor, it breaks the public’s “sole lens” and abolishes the existing and rigid concepts in the public mind. Its change in style and its use of poetic language are ultimately intended to explain truths, enlighten the masses, and denounce the fallacies of reactionaries. The Manifesto follows and rectifies the public’s perception of poetic language: it is both a language that manifests truths and a rhetoric that articulates a dialectical unity between the sensible and reasonable, the passionate and practical, and the innovative and critical. 

肖  祥

标题：“阶级”视角的变迁与文化研究的发展

Title: The Transference of Class Perspective and the Development of Cultural Studies

内容摘要：“阶级”是马克思主义的核心概念之一，也是文化研究的母题之一。文化研究的发展深受阶级视角变迁的影响，以利维斯为代表的文化守成主义者，站在少数精英阶层的立场维护文化传统和秩序；以威廉斯为代表的文化马克思主义者，站在以工人阶级为主体的大众立场肯定工人阶级及大众文化的价值；以费斯克为代表的“不加批判的文化民粹主义”，以抽象的“大众”消解阶级，以文化意义的再生产抵抗文化霸权。对“阶级”和政治经济学的放弃一度使文化研究陷入困境和范式危机。文化研究的未来在于与政治经济学结合，回归马克思主义阶级理论和阶级分析，面向数字时代，关注数字劳工（劳动），展开数字资本主义批判。由此可见，学术立场和价值判断对文化研究具有重要意义，阶级分析对于文化研究仍然具有有效性。

Abstract: “Class” is both one of the core concepts of Marxism and one of the major topics in Cultural Studies. The development of Cultural Studies has been deeply influenced by the transference of class perspective. The Cultural Conservatives, represented by Leavis, maintain the cultural tradition and order from the standpoint of the minority elites; the Cultural Marxists, represented by Williams, side with the public, which counts the working class as its main body, in affirming the importance of the working class and the value of mass culture. “The non-critical Cultural Populism,” represented by Fiske, decomposes class through the abstract notion of “masses” and resists cultural hegemony through the reproduction of cultural meanings. For a time, the abandonment of class stance and political economy led Cultural Studies into a dilemma and a paradigm crisis. The future of Cultural Studies lies in our readiness to integrate itself with political economy, return to Marxist theory of class and class analysis, embrace the digital age, pay close attention to digital labor, and carry out the critique of digital capitalism. To this end, academic standpoint and value judgment are imperative to Cultural Studies, and class analysis is still an effective approach.

世界文学的交流与互鉴

张  剑

标题：威廉·燕卜荪“中国作品”中的抗日战争叙事

Title: The Anti-Japanese War Narrative in William Empson’s “China Works”

内容摘要：燕卜荪是英国著名的批评家和诗人，在抗日战争时期来到中国，在长沙临时大学和昆明西南联大任教，成为了一大批中国英语界著名前辈的启蒙老师。燕卜荪在中国时期创作的诗歌作品，不仅反映了他个人的所思所想，同时也再现了那个战火纷飞年代的社会和历史。燕卜荪这些“中国作品”的细节，通过文史互证式阅读，可以还原这些作品的历史背景，从而向我展示抗日战争不仅是这些作品的背景，更是它们的一个重要主题。燕卜荪的抗日战争叙事，包括他对文学与政治关系的思考和对中日文化关系的思考，代表了他的文化和审美思想的另一个侧面。

Abstract: William Empson, a well-known English critic and poet, came to China during the Anti-Japanese War, teaching at Linshi University in Changsha and the Southwestern Associated University in Kunming, and mentoring a huge number of students who later became renowned English scholars in China. The poems he composed in this period reflect not only his own thoughts and experiences, but also the society and history of that era of war and conflict. A contextual reading of these “China works” may trace their historical background and demonstrate that the Sino-Japanese War is both a backdrop and an important theme for these poems. Empson’s war narrative, including his thoughts on the relation between literature and politics and between Chinese and Japanese cultures, represents another dimension of his cultural and aesthetic perceptions.

冯新华

标题：论唐纳德·金的文明互鉴思想

Title: Donald Keene’s Idea about Mutual Learning among Civilizations

内容摘要：唐纳德·金一生浸润在美国/西方文明、日本文明之中，并对中国文明保有极大兴趣。他经常将西方文明、日本文明及中国文明相互参照比鉴，从而形成了较为独特的“多元文明互鉴”模式。美国（西方）文明既是他的思想底色，也是价值评判的根基；日本文明是他终生体验与探察的对象，这使得他较为客观地进行评说与阐释；中国文明则是他研究日本的“支点”。随着战后区域研究的兴起以及其个人的独特体验，唐纳德·金的文明互鉴思想在其日本文学研究实践中得以呈现。一方面，注重日本文学对中国古代文学的吸收与借鉴，另一方面突出西方文学对日本近代文学的影响。唐纳德·金的“多元文明互鉴”思想有助于他更为客观地对待日本文学与文明，也避免了其陷入萨义德所说“东方主义”的窠臼。

Abstract: Donald Keene immersed himself in American/Western and Japanese civilizations all his life, but he also retained a keen interest in Chinese civilization. He often made comparisons and references between the three civilizations, thus forming a unique model of “mutual learning among multiple civilizations.” American (Western) civilization is not only his ideological background, but also the foundation of value judgment. Japanese civilization is the object of his lifelong experience and exploration, which enables him to make objective comments and interpretations. Chinese civilization is the “fulcrum” of his research on Japan. With the rise of post-war area studies and his own unique experience, Keene’s idea about mutual learning among civilizations surfaced in his studies of Japanese literature. He seems to have attached great attention to Japanese literature’s absorption and reference from ancient Chinese literature on the one hand and, on the other, highlighted the influence of Western literature on modern Japanese literature. His idea about “mutual learning among civilizations” helps him deal with Japanese literature and civilization more objectively, and avoid falling into the trap of “Orientalism” as described by Said.

郭英杰

标题：《诗章》对《神曲》的互文式书写

Title: The Intertextual Writing of La Divina Commedia in The Cantos

内容摘要：《诗章》与《神曲》的关系问题一直是学界争论的焦点。当“现代性”与“经典重读”介入诗歌文本阐释，二者错综复杂的联系就被重新审视。《诗章》受到《神曲》的影响，这已得到学界的充分肯定。但是，具体影响表现在什么地方？国内外学者虽有涉及，可是比较深入细致的研究成果并不多见。文章从文本互文的角度对《诗章》与《神曲》的关系问题进行探讨，认为《诗章》在艺术呈现的方式方面存在对《神曲》的互文式书写，反映在宗教隐喻之维、自由美学之维、生命哲学之维等方面。它们在无形之中彰显了庞德“新/日日新”的创作思想及理念。

Abstract: The correlation between The Cantos and La Divina Commedia has always been the focus of debate in academic circles. When “modernity” and “rereading of classics” intervene in the interpretation of poetic texts, the intricate connection between the two is instantly subject to re-examination. The influence of La Divina Commedia upon The Cantos has been fully recognized by the academic community, but in which specific aspects? Although Poundian scholars in China and other countries have touched upon this issue, in-depth and detailed research findings are still rare to see. By exploring the connection between The Cantos and La Divina Commedia from the intertextual perspective, this article claims that The Cantos relies on the intertextual writing of La Divina Commedia in its artistic presentation, particularly in the aspects of religious metaphor, freedom-oriented aesthetics, and life philosophy, all of which manifest, imperceptibly, Pound’s perception and concept of creative writing, namely, “MAKE IT NEW/Day by day make it new.”

“一带一路”沿线国家文学研究

余玉萍

标题：《天体》地方书写中的文学景观

Title: The Literary Landscapes Embedded in the Place Writing of Celestial Bodies

内容摘要：曼布克国际奖得主朱赫·哈尔西的作品《天体》围绕乡村三代人的人生悲欢，反映了阿曼社会由传统向现代转型进程中的变迁与冲突。在小说中，坐落于首都与周边沙漠之间的小村庄阿瓦斐作为一个主观构建的“时空组态”，凝缩了阿曼近代以降历史浮沉的全景画面，并见证了阿曼社会在物质、精神、文化、心理等层面的种种流变。“法拉吉”水渠既是一处农业栖居景观，也象征着一种顽强的地方精神，它以主要女性人物为承载，成为阿曼民族生生不息的源泉。哈尔西将宇宙中心主义意识与充满阿曼地方性特征的乡土元素相融合，在阿曼的地理、历史和文化环境之间建立紧密联系，构建了一帧帧自然属性与人文属性合一的文学景观。

Abstract: Celestial Bodies, written by the Man Booker International Prize winner Jokha Alharthi, is centered around the lives of three generations in a rural area, reflecting the changes and conflicts in Omani society’s transformation from tradition to modernity. In the novel, Al-Awafi, a small village located between the capital city and the surrounding desert, serves as a “subjectively constructed chronotope,” which condenses a panoramic picture of Omani modern history and witnesses the changes of Omani society in the material, spiritual, cultural, and psychological aspects. The “Faraj” canal that runs through the village is both a scenery in rural residence and a symbol of the tenacious local spirit embodied by the main female characters as a source of eternal vitality for the nation of Oman. By blending her cosmocentric consciousness with the localized rural elements of Oman, Alharthi attempts to establish a strong link between Oman’s geographical, historical, and cultural environment and create a series of literary landscapes through a fusion of natural and human attributes.

朱春发

标题：帕慕克《瘟疫之夜》中的地图叙事及其观看之道

Title: Map Narrative and Ways of Viewing in Pamuk’s Nights of Plague

内容摘要：帕慕克的新书《瘟疫之夜》呈现了三类地图：明格尔省阿尔卡兹城的地理图；事关瘟疫的流行病学地图；奥斯曼帝国和明格尔民族国家的疆域图。通过不同角度和层面的观看，可以发现这三类地图行使着多种功能。以手绘图像和叙事绘图方式呈现的城市地理图构建了一个虚实交融的故事地理世界，作为视觉象征符号的流行病学地图、帝国疆域图和民族国家地图，则是在叙述故事、展现特定的历史。地图的使用展现了帕慕克“视觉叙事”的文学创作理念，结合帕慕克本人“视觉作家”的自我定位，本文认为，帕慕克的文学作品可以从观看的视角展开解读。

Abstract: Pamuk’s latest novel, Nights of Plague, presents three types of maps: a geographic map of Arkaz, the capital city of Mingheria province; a map of plague-related epidemiology; a territorial map of the Ottoman Empire and the Mingheria Island. Viewing from different perspectives and dimensions, we can find that the three maps have multiple functions. The geographical city map, produced through drawing and map narrative, constructs a story world with a fusion of fiction and reality. As visual and symbolic signs, the maps of epidemiology, empire’s territory, and national geography are intended to tell stories and represent specific histories. The use of maps showcases Pamuk’s “visual narrative,” his unique concept of literary writing. Given Pamuk’s self-identification as “a visual writer,” this article argues that Pamuk’s works could be better interpreted from the perspective of viewing.

石  琳

标题：蒙格·贝迪《残酷的城市》中的“双重批判”

Title: Mongo Beti’s “Dual Criticism” in Ville Cruelle

内容摘要：《残酷的城市》是非洲法语文学经典著作，蒙格·贝迪以黑人视角描绘了殖民时期的城市生活，剖析了种族隔离与买卖婚姻所引发的生存危机和身份困境，印证了殖民统治与传统势力对非洲青年的双重压迫。贝迪对殖民主义的抨击源于反殖斗争的历史责任，而他对传统文化的批判则是基于转型社会的文化使命。他不认同以“黑人特性”为代表的黑人身份特殊论，认为后者落入了种族主义的陷阱。因此，他以黑人的城市生活为引，意图消解殖民主义塑造的“城市神话”与部族主义推崇的“传统神话”。在此基础上，他对黑人主体性的建构一方面出自对“白人中心主义”的抨击，另一方面源于对“黑人特性”的质疑。从作品出版的年代来看，贝迪对非洲城市化与黑人主体性的探讨是极富前瞻性的，他的反殖民书写以“双重批判”打破了殖民话术的一隅之说，成为了非洲社会巨变的历史见证，体现了对民族思想解放的不懈追求。

Abstract: In Ville Cruelle, a classic of Francophone African literature, Mongo Beti describes the urban life during the colonial rule from the African perspective by analyzing the living crisis and identity dilemma caused by apartheid and mercenary marriage and corroborating the dual oppression of African youth by colonial rule and traditional forces. He launches his attack on colonialism out of his historical obligation for the anti-colonial struggle and delivers his criticism of cultural traditions in support of the cultural mission of social transformation. He doesn’t endorse the concept of Black exceptionalism represented by “Black Identity,” seeing the latter as a trap of racism. By delving into the urban life of black people, he tries to dispel the “urban myth” of colonialism and the “traditional myth” of tribalism. Subsequently, he substantiates his construction of black subjectivity by bashing “white supremacy” on the one hand and, on the other, calling “Black Identity” into question. Judging from the time of its publication, Beti's exploration of the African urbanization and black subjectivity is an act of foreseeing. With the “dual criticism,” his anti-colonial writing seems to have broken the one-sided claim of the colonial discourse, thus evincing a historical testimony to the drastic changes in African society, and highlighting the unyielding pursuit of national ideological liberation.

张若一

标题：长老政治的幽灵：希伯来先知文学中的占卜书写

Title: The Phantom of Elders Politics: Divinatory Writing in Hebrew Prophetic Literature

内容摘要：先知文学是希伯来经典《塔纳赫》的重要组成部分，其主要编纂者是申命派作者。尽管占卜行为被摩西律法列为禁忌，但其本身源自以色列前王国时期的古老传统，在先知运动中被先知群体广泛使用。申命派作者以先知的占卜活动为书写对象，将其与神谕直接挂钩，使先知在获取神意的有效性上胜过祭司，同时又以神谕为武器，对王国君权进行制约。究其原因，王国时期代表民间传统势力的长老阶层自君主制国家建立以来，便不断被边缘化，他们希望借助先知运动的潮流打破自身的政治与文化困局，因而支持申命派作者借助文学活动展开舆论攻势。

Abstract: Prophetic literature is a key component of Hebrew classic, Tanakh, which was mainly compiled by the Deuteronomists. Even though divination is regarded as a taboo by Mosaic Law, its origin could be traced back to the pre-monarchic period of Israelite history, and it was widely utilized by the prophets during the “prophetic movement.” The Deuteronomists take divination as their writing object and link it directly to oracle, so as to grant the priority of gaining oracle to the prophets rather than the priests. Meanwhile, they use this priority as a weapon to restrain the monarchical power. The key reason is that the elder class, which had represented the traditional forces among people since the establishment of the monarchy, has been marginalized incessantly. It hopes that by supporting the Deuteronomists to launch their public opinion offensive via literary activities, it would be able to break through its own political and cultural dilemma in the wake of “prophetic movement.”

英美文学研究

邹 理

标题：反体系运动与新世纪美国世界文学思潮中的文化共同体构建

Title: The Anti-System Movement and the Construction of Cultural Community in the 21^st-Century American Theory of World Literature

内容摘要：新世纪美国世界文学思潮的兴起与非西方国家的反体系运动具有复杂的关联。随着新自由主义经济文化秩序在全球的逐步扩张，反体系运动由西方国家内部逐步走向国际，其目标在于重构当前世界体系中排除与包纳的界限。美国学者在其世界文学理论构建中一方面通过设定世界概念和历史的同一性，重构文学意义的生成机制，为非西方国家主动将自身包纳入世界文化共同体提供动力；另一方面采用拟态的方式，借用既有西方思维框架重塑古代 - 现代世界文学形态的生成史，在概念、历史和现实层面将非西方国家的文学文化纳入世界体系中，为世界文化共同体的形成提供理论基础，从而从思想和文化层面应对反体系运动带来的资本主义世界系统性危机。这表明当代西方文学批评界已经跨出学术象牙塔，与当前世界历史、政治和文化的大趋势互相推波助澜，通过催生新的文化和政治思想，成为国际社会与世界体系塑造的重要参与者。

Abstract: There is a complicated correlation between the emergence of American ideas of world literature in the new millennium and the Anti-System Movement in non-Western countries. With the gradual expansion of the neo-liberal economic and cultural order around the globe, the Anti-System Movement steadily spilled from Western countries to the world with the aim to reconstruct the boundaries between the excluded and the included within the current world system. While building up their theory of world literature, American scholars not only offered incentives to non-Western countries for voluntarily succumbing their literature and culture to the world system by establishing a homogeneous conception of the world and human history and reconstructing the generative mechanism of literary significance, but also adopted a mimetic approach to reinvent the formative history of the world literature in pre-modern and modern times based on the existing framework of Western mindset, so that they could incorporate the literature and culture of non-Western countries into the world system, encompassing concept, history, and reality. Their purpose is to lay down a theoretic foundation for the formation of a world cultural community and respond, both in ideology and culture, to the systematic crisis of the capitalist world in the wake of the Anti-System Movement. All this shows that the Western literary critics today have stepped out of their academic ivory tower and acted in concert with the general trend in world history, politics, and culture, thus becoming important participants in building the international community and the world system by means of cultivating new socio-political ideas.

石  婕

标题：声音的“智力游戏”——格特鲁德·斯泰因肖像诗歌中的语言诗学

Title: “Intellectual Recreation” of Sound: Language Poetics in Gertrude Stein’s Portrait Poems

内容摘要：声音是美国现代主义作家格特鲁德·斯泰因创作的关键词。她在20世纪上半叶创作的百余篇人物肖像诗歌彰显了声音自身的特质和蕴意。总体上，根据意义的来源，诗歌的声音可分为“文字的声音”和“文字间的声音”。本文从斯泰因的听觉意识谈起，分析其诗歌中“临近词音”“声音的转录”“复调的韵律”与“节奏”的音律规则，进而探究其语言诗学的“活动性”“流动性”和“创造性”，解读“智力游戏”中读者的“智性”参与和语言的本体论观点。斯泰因的语言诗学制造了审美主体与审美客体间的距离，一方面，它凸显语言能指与所指的差异，进而拉开艺术表征与现实世界的距离；另一方面，它从感官层面加深了语言与现实世界的联系。斯泰因诗歌中的声音和语言的“智力游戏”观体现了她独特的现代主义美学观。

Abstract: Sound is a key word in the writing of Gertrude Stein, an American modernist writer. In the first half of the 20^th century, she wrote more than 100 portrait poems, in which the characteristics and implications of sound itself are fully exemplified. Based on the source of meaning, the sound in poetry can be generally divided into two categories, namely, “sound of words” and “sound between words.” Starting from Stein’s auditory consciousness, this article analyzes the sound patterns of “nearly sound,” “sound transcription,” “polyphonic rhyme,” and “rhythm” in her portrait poems, so as to explore the “activity,” “fluidity,” and “creativity” of language poetics and illuminate readers’ “intellectual participation” in “intellectual recreation” and the ontological nature of language. Between the aesthetic subject and its object, Stein’s language poetics creates a distance.On the one hand, it highlights the divergence of the established correspondence between the signifier and the signified and, thereby, widens the gap between artistic representation and the world of reality; on the other hand, it reinforces the connection between language and the real world through auditory experience. The sound in Stein’s poetry and the “intellectual recreation” of the language embody her distinctive modernist concept of aesthetics.

李  尧

标题：拉塞尔《约翰·霍德沃兹》中的风景与英国民族身份认同

Title: Landscape and the British National Identity in Russell’s John Holdsworth

内容摘要：威廉·克莱克·拉塞尔是英国19世纪后期优秀的海洋小说家。细致生动的风景描写是拉塞尔小说的一大特点。他常在小说中对海岸、天空、日落以及英国内陆风景等进行如画式再现，并通过对风景的前景化处理将其与英国民族身份发生关联。他的代表作《约翰·霍德沃滋》中的风景呈现便与民族身份认同主题有关。小说中所呈现的风景对英国民族家园观念的形成、民族历史的传承以及民族性格的培育具有积极的能动作用，是主题表达和推动整个故事发展的重要元素。

Abstract: William Clark Russell is an excellent British writer of sea novels in the late 19^th century. The detailed and vivid description of landscape is a significant characteristic of his novel writing. Russell often offers picturesque representations of the coast, sky, sunset, and other inland landscape in his novels and foregrounds them in a way that relates to the British national identity. The representation of the landscape in his masterpiece, John Holdsworth, is a case in point because it not only manifests an active and dynamic effect in formulating the concept of the British national homeland, preserving its national history, and cultivating its national character, but also serves as an essential factor in advancing the theme and propelling the whole story forward.

批评与批评研究

綦  亮

标题：追寻“批评”的意义——评《20世纪非裔美国文学批评研究》

Title: Searching for the Meaning of “Criticism”: A Review of A Study of the 20^th-Century African American Literary Criticism

内容摘要：王玉括教授的《20世纪非裔美国文学批评研究》是近年来我国非裔美国文学研究领域的高质量专著类成果。该著从纷繁复杂的非裔美国文学批评观念和现象中梳理出“艺术还是宣传”之争这条主线，从横向和纵向两个维度对研究对象进行深度挖掘，既考察非裔美国文学与白人文学之间的交集，又关注非裔美国文学批评在新世纪的走向，表现出宏阔的学术视野。该著具有鲜明的本土视角，积极思考非裔美国文学批评对我国文学和学术研究的启示，同时坚持问题导向，力求见前人所未见，言前人所未言。该著的问世标志着我国非裔美国文学批评研究的不断成熟，也对未来的研究起到引领和示范作用。

Abstract: A Study of the 20^th-Century African American Literary Criticism, written by Wang Yukuo, is a high-quality book in the field of Chinese studies of African American literature in recent years. By sorting out the controversy over “Art or Propaganda” as a guiding thread from various critical notions and practices in African American literature, this book probes deeply into its research objects from both horizontal and vertical perspectives. Also, it shows its broad scholarly vision in exploring not only the connections and interactions between the black and white literature, but also the development of African American literary criticism in the 21^st century. While deliberating, from a conspicuous Chinese standpoint, on what Chinese literature and Chinese literatry studies may draw from African American literary criticism, the author maintains a question-oriented approach to uncover what no one has noticed so far and say what no one has said before. The publication of the book marks a new phase of the Chinese scholarships on African American literary criticism and plays a leading and exemplary role for future studies.

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目录 | 《外国文学研究》2023年第5期

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