拾萬石家庄 | 开幕展 | 鸿野隆 | 李欣遥

拾萬当代艺术中心拾萬 Hunsand Space

2024-08-30

我们非常荣幸地介绍本次教堂空间开幕首展的参展艺术家：Taka Kono（鸿野隆）和李欣遥（犬子）。

“开幕展” 展览现场 | Opening Exhibition Exhibition View

Taka Kono | 鸿野隆

Godsend (3)

头发、水泥、钢丝、扎带 | Hair, cement, steel wire, binding tape

56×4cm

2021

Taka Kono | 鸿野隆

Godsend (1)

头发、水泥、钢丝、扎带 | Hair, cement, steel wire, binding tape

55×5cm

2021

Taka Kono | 鸿野隆

Godsend (2)

头发、水泥、钢丝、扎带 | Hair, cement, steel wire, binding tape

57×15cm

2021

艺｜术｜家

ARTIST

Taka Kono（鸿野隆）

1994年出生于日本神户, 他在雕塑、装置和表演中探索恐怖和亲密关系的复杂交叉点。Taka的作品常以湿发和排水沟为主题, 这些元素概括了他艺术探索中令人不安但又令人熟悉的领域。

展览中的黑暗，反映的是我们不可避免的人类普遍状况, 而不是灌输恐惧。而湿润的感觉则反映了我们人类生存的流动性和其经常令人不安的特质。Taka的作品迫使观众面对现实, 通过接受来激起宣泄。另外，他的作品还涉及到“缺席”这一主题, 缺席不是空洞，而是作为与过去存在共鸣的空间，这一概念促使观众与曾经存在的回声发生互动。

Taka Kono 亦艺术策划了一场恐怖和亲密的舞蹈, 促使观众审视他们的恐惧和欲望。它呼吁人们认识到不适, 拥抱复原力, 并参与到一个经常被回避的对话中——这些对于理解我们共同的人类状况都是至关重要的。通过这种交流，Taka 为我们集体心理中经常沉默的方面发出了声音。

近期精选展览包括：EASTEAST (科学博物馆, 东京, 日本, 2023)，Terminal B (Smena Center of Contemporary Culture, 喀山, 俄罗斯, 2022), down4u (Ritsuki Fujisaki Gallery, 东京, 日本, 2022), GARDEN OF GODS (SXSW x ultrastudio, 休斯顿, 美国, 2022), only only makes sense if there’s nothing else (darkZone, 新泽西州, 美国, 2021), dream knowledge, no, ledge, noh, no knowledge (mcg21xoxo, 松户, 日本, 2020)。

Taka Kono

Born in 1994 in Kobe, Japan, explores the intersection of horror and intimacy in his sculptures, installations, and performance pieces. Notably, Taka’s work features motifs of wet hair and drains, elements that encapsulate the unsettling yet familiar terrain of his artistic exploration.

Darkness in his exhibitions mirrors our inescapable human condition rather than instilling fear, while a sense of wetness reflects the fluid and often disconcerting nature of our human existence. Taka’s art compels viewers to confront their realities, provoking catharsis through acceptance. His works also engage with the theme of absence, not as a void, but as spaces resonating with past presence. This notion prompts viewers to interact with the echoes of what once existed.

Kono’s art orchestrates a dance of horror and intimacy, pushing viewers to examine their fears anddesires. It calls for the recognition of discomfort, the embrace of resilience, and participation in anoften avoided dialogue - all crucial in comprehending our shared human condition. Through thisexchange, Kono gives voice to the often silent aspects of our collective psyche.

Recent selected exhibitions include: EASTEAST (Science Museum, Tokyo, Japan, 2023), TerminalB (Smena Center of Contemporary Culture, Kazan, Russia, 2022), down4u (Ritsuki Fujisaki Gallery, Tokyo, Japan, 2022), GARDEN OF GODS (SXSW x ultrastudio, Houston, USA, 2022), onlyonly makes sense if there’s nothing else (darkZone, New Jersey, USA, 2021), dream knowledge,no, ledge, noh, no knowledge (mcg21xoxo, Matsudo, Japan, 2020).

“开幕展” 展览现场 | Opening Exhibition Exhibition View

李欣遥｜Li Xinyao

Assumption of The Virgin-1

绢本设色｜Color on silk

100×80cm

2023

李欣遥｜Li Xinyao

不是赌徒 | Not a Gambler

绢本设色、树脂｜Color on silk,resin

30×24cm

2024

艺｜术｜家

ARTIST

李欣遥(犬子)

1996年生于福建福州，2022毕业于中国美术学院国画系，现工作生活于浙江杭州。

李欣遥长期投入于边缘题材的创作，在传统东方绘画语言的基础上展开对生死、宗教、魔幻现实的讨论。作品中的具象物体以非常规的状态出现，以非现实的方式扭曲、组合。综合性材料的使用制造了空间的延伸，更多层地容纳被遗弃之物、被感召之物、以及感而未应之物，将绘画建立起的特殊空间作为存储记忆、寻找信仰的场所。自2014年始陆续发表个人画集《丼》、《Raw》、《From nothing to nothing》，2020年于难受美术馆进行个人展览《生长的房间》，作品曾展出于今日美术馆、江苏省美术馆等机构。

Li Xinyao（Quan Zi）

Li Xinyao was born in Fuzhou, Fujian in 1996, and graduated from the Chinese Painting Department of China Academy of Art in 2022. She currently lives and works in Hangzhou, Zhejiang.

Li Xinyao has been devoted to creating works on marginal themes, exploring the topics of life and death, religion, and magical reality based on traditional Eastern painting language. The concrete objects in her works appear in unconventional states and are distorted and combined in non-realistic ways. The use of comprehensive materials creates an extension of space, which accommodates abandoned objects, objects that have been influenced, and objects that have not responded to feelings, using the special space created by painting as a place to store memories and seek faith. Since 2014, Quanzi has successively published personal painting collections such as "Dong," "Raw," and "From Nothing to Nothing." In 2020, she held a solo exhibition "Growing Room" at Nansou Art Museum, and her works have been exhibited at institutions such as the Today Art Museum and Jiangsu Art Museum.

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