拾萬北京｜展览现场｜梁姝妮：悸动的肠道
拾萬空间（北京）于2024年9月14日带来艺术家梁姝妮的个展：悸动的肠道。本次展览分为两部分展开，一楼的空间呈现的是艺术家二十三件雕塑装置，二楼展厅则集中展示她的二十一件架上绘画作品。
Hunsand Space (Beijing) presents a solo exhibition by artist Liang Shuni titled " Inner Turmoil" on September 14, 2024. This exhibition is divided into two parts: the ground floor showcases twenty-three sculptural installations by the artist, while the second-floor of space focuses on twenty-one of her paintings.
展览现场
风之神 ｜ God of Wind
石塑土，烧箔，毛发，铝管，金属架，卫生纸，风 ｜Hardening clay, burnished foil, hair, aluminum tubes, metal frame, toilet paper, wind
150×55×160cm
独版｜Unique edition
2024
梁姝妮 Liang Shuni
母与子—下颌骨 ｜ Mother and Child—Mandible
石塑黏土，彩铅，医疗模型 | Hardening clay, colored Pencil, medical model
23×10 cm
独版｜Unique edition
2024
梁姝妮 Liang Shuni
农业之神 ｜ Agricultural God
石塑土，丙烯，木材，木雕，蔬菜水果，草皮，鸡蛋，麻袋，塑料袋，铜丝 ｜Hardening clay, acrylic, wood, wood carving, vegetables and fruits, turf, eggs, burlap sacks, plastic Bags, copper wire
140×50×170cm
独版｜Unique edition
2024
梁姝妮 Liang Shuni
母与子—胸肋骨 ｜ Mother and Child—Sternal Rib
石塑黏土，银箔，彩铅，医疗模型 | Hardening clay, colored Pencil, medical model
35×27 cm
独版｜Unique edition
2024
梁姝妮 Liang Shuni
千手人 ｜ Person with a Thousand Hands
织物,木,铁丝,珠子 | Fabric, wooden, Ironwire, glassbeads, plastic photographs
30×7×45cm
独版｜Unique edition
2018
梁姝妮 Liang Shuni
母与子—手骨 ｜ Mother and Child— Hand Bone
石塑黏土，彩铅，医疗模型 | Hardening clay, colored Pencil, medical model
26×35 cm
独版｜Unique edition
2024
梁姝妮 Liang Shuni
一个循环体 ｜ A self-contained being
黏土,头发,铁丝 | clay, hair,iron wire
24×8×17 cm
独版｜Unique edition
2016
梁姝妮 Liang Shuni
即兴2 ｜ Impromptu 2
织物,棉线 | Fabric, Cottonthread
26×10×13cm
独版｜Unique edition
2018
梁姝妮 Liang Shuni
小锤子人 ｜ Small hammer man
织物,木,铁丝,珠子 | Fabric, wooden, wire, beads
34×6×10cm
独版｜Unique edition
2019
梁姝妮 Liang Shuni
即兴3 ｜ Impromptu3
织物,棉线 | Fabric, Cottonthread
14×14×8cm
独版｜Unique edition
2019
梁姝妮 Liang Shuni
鸟人｜Birdy
织物,木,铁丝,珠子| fabric, wooden, wire, beads
20×6×6cm
独版｜Unique edition
2019
梁姝妮 Liang Shuni
小神人｜The little man
织物,木,铁丝,珠子 | Fabric, wooden, ironwire, glassbeads, plastic photographs
16×5×5cm
独版｜Unique edition
2019
梁姝妮 Liang Shuni
即兴（四条腿的家伙）｜ Improvisation (Four-Legged Creature)
织物，毛线，LED灯，沉木 ｜Fabric, yarn, LED lights, driftwood
28×16×33cm
独版｜Unique edition
2024
梁姝妮 Liang Shuni
母与子—脚骨 ｜ Mother and Child—Foot Bones
石塑黏土，彩铅，医疗模型 ｜Hardening clay, colored Pencil, medical model
10×35×30cm
独版｜Unique edition
2024
梁姝妮 Liang Shuni
母与子—女性盆骨｜Mother and Child—Foot Bones
石塑黏土，彩铅，医疗模型 ｜Hardening clay, colored Pencil, medical model
50×20×24cm
独版｜Unique edition
2024
梁姝妮 Liang Shuni
分解系列｜Decomposition
独版｜Unique edition
2016-2024
梁姝妮 Liang Shuni
作为污渍，蓝色和红色｜As stains, blue and red
木板油画,攀岩点｜Oil on wood, climbing spot
30×40cm
2023
梁姝妮 Liang Shuni
没有毛发，但有污渍的自画像 ｜ A hairless self-portrait with stains
木板油画，攀岩点 | Oil on wood panel, climbing holds
40×30cm
2024
梁姝妮 Liang Shuni
脱离自然，从不再需要保护色开始 | Beyond Nature, from the point where camouflage is no longer needed
木板油画，攀岩点 | Oil on wood panel, climbing holds
50×40cm
2024
梁姝妮 Liang Shuni
污渍没有目的地｜The stain has no destination
木板油画，攀岩点 | Oil on wood panel, climbing holds
40×30cm
2024
展览现场
展览现场
梁姝妮 Liang Shuni
陨石(野餐) ｜Meteorite (Picnic)
布面油画 | Oil on canvas
50×60cm
2024
梁姝妮 Liang Shuni
接龙时刻 ｜Moment ofContinuation Game
布面油画，丙烯，金属链，溜冰鞋 | Oil on canvas 、 acrylic 、metal chain 、 roller skates
画面部分:90×70cm
总尺寸:100×200cm
2024
梁姝妮 Liang Shuni
橡胶矿石-洋葱皮｜Rubber Mineral-on ion skin
布面油画，沙子| Oil on canvas,sands
60×60cm
2022
梁姝妮 Liang Shuni
蜕皮!悬挂!｜ Molting! Hanging!
布面油画 | Oil on canvas
150×170cm
2023
梁姝妮 Liang Shuni
清洁｜Clean
布面油画，丙烯 | Oil on canvas and acrylic
120×80cm
2024
梁姝妮 Liang Shuni
红发托尼老师｜Red-haired Teacher Tony
木板油画，攀岩点，异形珍珠 | Oil on wood panel, climbing holds, biomorphic pearls
30×30cm
2024
梁姝妮 Liang Shuni
集隐喻于-身｜A collection ofmetaphors
布面油画 | Oil on canvas
130×200cm,80×80cm×2(三联画)
2024
梁姝妮 Liang Shuni
一个苹果一部手机一个筐｜An apple, a mobile phone, and a basket
布面油画，色粉，沙子，不锈钢，毛巾 | Oil on canvas, pastels, sand, stainless steel, towel
画面部分:50×60cm 总尺寸:120×120cm
2024
梁姝妮 Liang Shuni
悸动的肠道｜Inner Turmoil
布面油画 | Oil on canvas
10×15cm
2024
梁姝妮 Liang Shuni
私人的五月窗｜Private May Window
布面油画，丙烯，石膏 | Oil on canvas, acrylic, plaster
150×180cm
2024
梁姝妮 Liang Shuni
建筑物综合症｜Building Syndrome
布面油画，丙烯 | Oil on canvas,acryli
30×40cm
2024
梁姝妮 Liang Shuni
基本元素｜Basic Elements
布面油画，丙烯 | Oil on canvas,acrylic
60×80cm
2024
梁姝妮 Liang Shuni
偷盗者的垫脚石｜Thief's stepping stone
布面油画，丙烯 | Oil on canvas and acrylic
100×80cm
2023
梁姝妮 Liang Shuni
愤怒者画像｜Portrait ofthe Enraged
布面油画，丙烯，色粉 | Oil on canvas,acrylic,pastel
130×140cm，130×70cm(一组两件)
2024
梁姝妮 Liang Shuni
昼夜交替｜Day and Night
布面油画，丙烯 | Oil on canvas and acrylic
240×140cm，240×60cm
2023
梁姝妮 Liang Shuni
奇迹在夹缝中求生｜Miracle Surviving in the Crack
布面油画，丙烯，粗布头,石膏 | Oil on canvas, acrylic, burlap, plaster
120×150cm
2023
梁姝妮 Liang Shuni
垂死的石头｜Dying Stone
布面油画，丙烯，芯片 | Oil on canvas and acrylic, chips
30×25cm
2023
梁姝妮 Liang Shuni
安眠于皱褶中｜RePose in the Folds
布面油画，丙烯，闪粉 | Oil on canvas, acrylic, glitter
140×120cm
2023
梁姝妮 Liang Shuni
歇山顶下｜Under the gable roof
木板油画，蜂蜡,马赛克，榉木 | Oil painting on wood, beeswax, mosaic, beech
62.5×58 cm
2024
梁姝妮 Liang Shuni
亚热带细菌繁殖的季节｜The Season ofSubtropical Bacterial Proliferatio!
布面油画，丙烯，闪粉 | Oil on canvas,acrylic,glitte
80×40cm
2023
关于艺术家
梁姝妮，1989年生于贵州贵阳。2010年毕业于云南艺术学院文华学院服装设计专业，现生活和工作于广东广州。
Liang Shuni born in Guiyang, Guizhou, China in 1989. She graduated from Wen Hua College of Yunnan Arts University in 2010 , now she lives and works in Guangzhou.
相关链接：
梁姝妮：悸动的肠道
2024年9月14日 - 2024年10月20日
相关链接：
路佳霖：黼藻精灵
2024年9月7日 - 2024年10月7日
相关链接：
拾萬空间
六年书
相关链接： 拾萬空间 | 六年书发布
拾萬空间，于2014年成立于北京草场地艺术区，2018年迁址到北京798艺术区。2021年底开设石家庄分馆拾萬当代艺术中心，并于2023年底迁至石家庄市井陉县北障城村。2023年初在杭州市西湖区转塘街道的孵鸡湾建立分部。拾萬北京总部位于798包豪斯建筑集群中的一处二楼下陷式空间，石家庄分部深入到太行山古村落中的一座老教堂，而杭州空间则改造自龙坞茶山旁的一间农舍。拾萬空间对常规化的展览保持警惕，希望从当代艺术的语境出发，通过持续的展览和项目，来回应我们共同的生存境遇，激发出当下文化中被忽视的部分。
Hunsand Space was established in 2014 in the Caochangdi Art Zone of Beijing. In 2018, it relocated to the 798 Art District in Beijing. At the end of 2021, Hunsand Space opened a branch, Hunsand Center for Contemporary Art, in Shijiazhuang, and by the end of 2023, it had moved to Beizhangcheng Village in Jingxing, Shijiazhuang. In early 2023, a new branch was established in Fujiwan, Zhuantang, Xihu, Hangzhou. The Beijing headquarters of Hunsand Space is located within a sunken two-story building in the Bauhaus architectural complex within the 798 Art District. The Shijiazhuang branch delves deep into an old church within a historic village in the Taihang Mountains, while the Hangzhou space has been transformed from a farmhouse near the Longwu Tea Plantation. Hunsand Space remains vigilant against the standardization of exhibitions and aims to respond to our shared existential experiences, sparking the often overlooked aspects of contemporary culture through ongoing exhibitions and projects.
北京画廊开放时间 Opening hours ： 周二-周日 TUE-SUN 10:30-18:30
石家庄画廊开放时间 Opening hours ： 周五-周日 FRI-SUN 10:00-18:00
杭州画廊开放时间 Opening hours ： 周二-周日 TUE-SUN 10:30-18:00（冬季）11:00-19:00（春夏秋）
拾萬空间｜北京 拾萬当代艺术中心｜石家庄 拾萬空间｜杭州
微信 | WeChat: hunsandspace 微博｜Weibo: 拾萬空间 Instagram: hunsand_space
T：010-57623059 (北京） T：0311-66600320 （石家庄） T：0571-81950130（杭州） E：hunsand@hunsand.com W: www.hunsand.com
拾萬空间，于2014年成立于北京草场地艺术区，2018年迁址到北京798艺术区。2021年底开设石家庄分馆拾萬当代艺术中心，并于2023年底迁至石家庄市井陉县北障城村。2023年初在杭州市西湖区转塘街道的孵鸡湾建立分部。拾萬北京总部位于798包豪斯建筑集群中的一处二楼下陷式空间，石家庄分部深入到太行山古村落中的一座老教堂，而杭州空间则改造自龙坞茶山旁的一间农舍。拾萬空间对常规化的展览保持警惕，希望从当代艺术的语境出发，通过持续的展览和项目，来回应我们共同的生存境遇，激发出当下文化中被忽视的部分。
Hunsand Space was established in 2014 in the Caochangdi Art Zone of Beijing. In 2018, it relocated to the 798 Art District in Beijing. At the end of 2021, Hunsand Space opened a branch, Hunsand Center for Contemporary Art, in Shijiazhuang, and by the end of 2023, it had moved to Beizhangcheng Village in Jingxing, Shijiazhuang. In early 2023, a new branch was established in Fujiwan, Zhuantang, Xihu, Hangzhou. The Beijing headquarters of Hunsand Space is located within a sunken two-story building in the Bauhaus architectural complex within the 798 Art District. The Shijiazhuang branch delves deep into an old church within a historic village in the Taihang Mountains, while the Hangzhou space has been transformed from a farmhouse near the Longwu Tea Plantation. Hunsand Space remains vigilant against the standardization of exhibitions and aims to respond to our shared existential experiences, sparking the often overlooked aspects of contemporary culture through ongoing exhibitions and projects.