亚洲报道 | “如山之想六十年-庄喆个展”入围雅昌月度2020年1月画廊影响力榜单
“导言：‘雅昌月度画廊影响力观察报告’是雅昌艺术网从媒体角度，对艺术品一级市场具备合作代理机制关系的画廊与艺术家发展现状的呈现，是针对艺术收藏群体所推出的专业权威性报告榜单。”艺术家代理机制为画廊提供更有效的持续性发展基础，为艺术家的创作提供更充分的创作条件和空间，也为艺术成就和思想的传播提供了与现代社会更有效方式的对接。
以上榜单来源于【雅昌专稿】
亚洲艺术中心（台北）展览 | “如山之想六十年 - 庄喆个展” 入围雅昌月度2020年1月画廊影响力榜单
A 学术维度：✭✭✭✭
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C 推广维度：✭✭✭✭
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醒
Awakening
布面油画 Oil on Canvas
167.5x127cm 2019
珠露满山
Dewy Mountain
布面油画 Oil on Canvas
125.5x126cm 1987
112x75.7cm 1960
碧水绿荫（局部）
Clear Water and Greenwood (Detail)
布面油画 Oil on Canvas
103.5x120.5cm 1989
春之道
Spring Way
布面油画 Oil on Canvas
庄喆1958年于台湾师范大学艺术学系毕业后，随即加入“五月画会”，在1960年的第四届五月画展中，是他首次以抽象形式的作品展出，但此时他的创作还处在一种“自省”的状态，思考中国水墨画与西方思潮冲击的矛盾与兼容性；自此的十年间，庄喆就在这种困境的状态游移，意图在画面中寻找某种真实的有无，试图从媒材及绘画工具上重构中国画的定义。
“如山之想六十年 - 庄喆个展” 展览现场
"Chuang Che Anniversary Solo Exhibition:
As Lofty as a Mountain 1960-2019"
Exhibition View
庄喆为亚洲艺术中心核心代理艺术家，作为“五月画会”代表人物，一直备受关注。此次展览特别制作《如山之想》展览册页，并邀请学者萧琼瑞教授撰写评论文章《非山／是山 - 庄喆的“山想”七式》。
"Chuang Che Anniversary Solo Exhibition:
As Lofty as a Mountain 1960-2019"
Exhibition Publication
《英国金融时报》
by Andrew Dickson
纵观庄喆的绘画发展历程，从六十年代即以前卫的思想及画风，在冲击荡漾的年代取得画坛主流的地位，领衔台湾地区现代绘画运动从媒材到观念意识的转变；他长期致力于抽象绘画的探索，且一贯地从抽象表现手法捕捉中国山水，或说东方绘画精神的真实性；足以体现这位艺术家超越时代的先见。
庄喆
"We have to acknowledge that in the past Chinese painting focused on landscapes, so subconsciously I already had the idea of re-expressing landscapes. In the 1950s, the traditional spirit of landscape painting in Chinese painting was in line with some theories in the past; further liberation from the details of the natural world can bring out the traditional 'spirit'. But it does not seem to be the case now, The way of painting and the way of nature are 'parallel'. This 'parallel' view was previously thought to be 'unified'."
《典藏·今艺术》2020年2月刊
"ARTCO" February, 2020
“ ‘抽象’ 对我是一种精神的探险的艺术，是一种‘剧’，它绝对有动感，使我满足了对外界的反应、感受。我的画不是静静的。基本上它出于动、冲突、力。可是，我是以控制其平衡性的方式来处理；在形式上，‘自然’ 退到第二线，随着绝对的形、色，与线，以平行的思考呈现。换言之，这里面有两个层次：独立的形的结构和自然。在我概念中的‘自然’，不是在一个平面上，不是一眼望去的自然外表；它可以演绎到局部、空中、水底乃至显微镜中。这也是我们这个时代对自然的了解与过去不同的地方。”
"'Abstract' is a kind of spiritual adventure art for me. It is a kind of 'drama'. It is absolutely dynamic, which makes me satisfied with the reaction and feelings to the outside world. My paintings are not silent. Basically, it is dynamic, conflict, force. However, I deal with it in a way that controls its balance; in the form, 'nature' retreats to the second line, and with the absolute shape, color, and line, it is presented in parallel thinking. In other words, There are two levels in it: the independent structure and nature. The 'nature' in my concept is not on a plane, nor is it a natural appearance at a glance; it can be deduced to area, air, underwater, and even In the microscope. This is where our understanding of nature is different from the past. "
关于艺术家 About Artist
庄喆，1934年出生于北京，成长养成教育于中国台湾，1957年毕业于台湾师范大学美术学系，同年加入“五月画会”成为主要成员之一，开始推动“中国文人画传统”与“西方抽象表现主义”的结合。父亲庄严（庄尚严）曾任台北故宫博物院副院长，家学渊源使他成为一位内敛儒雅的艺术家。1963至1973年庄喆曾执教于东海大学建筑系，1966年曾获美国洛克菲勒三世基金会资助，赴美研究国际当代艺术，自70年代后旅居美国纽约创作至今。庄喆长期致力于艺术创作与抽象理论的思索，其抽象山水绘画源自于外观自然进而走向形神为终极目标，他以书法的线形结构入画，运笔虚灵转润显出犷悍之昂扬气势，笔触抑扬顿挫伴随色彩宛转空间近乎狂喜状态，画面经常展现自然滴流波溅、撞击、冷峻、氤氲、苍润之气质，伴随纵横吞吐及疏密深远之律动，在浑沌与飞扬之中另辟图象蹊径，诚可视为艺术家内省感受顿悟之智慧。 重要个展: “如山之想六十年 - 庄喆个展”（亚洲艺术中心，台北，2020）、“鸿蒙与酣畅 - 庄喆回顾展”（台北市立美术馆，台北，2015）、“统览 · 微观”（亚洲艺术中心，台北，2012）、“岭深道远”（中国美术馆，北京，2007）、“笔意纵横 · 参于造化”（亚洲艺术中心，台北，2006）、 “台湾现代艺术：2005关渡英雄志”（关渡美术馆，台北，2005）、“主题 · 原象”（历史博物馆，台北，2005）
重要联展: “风林火山 - 源自东方的抽象”（亚洲艺术中心，北京，2019）、“抽象艺术先锋（1955-1985）”（伊克塞尔博物馆，比利时，2017）、 “1960 - 台湾现代艺术的滥觞”（亚洲艺术中心，台北，2016）、“新东方精神II - 承启”（亚洲艺术中心，北京，2010）
重要收藏: 克利夫兰美术馆（美国）、底特律美术馆（美国）、密歇根大学美术馆（美国）、上海美术馆（上海）、中央美术学院美术馆（北京）、香港美术馆（香港）
Chuang Che was born in 1934 in Beijing, China and spent his formative years in Taiwan. In 1957, he graduated from the Department of Fine Arts at National Taiwan Normal University and joined the Fifth Moon Group in 1958, becoming one of the group's principal members. Chuang's father was the vice-director of National Palace Museum in Taipei; under the influence of his family, he became a reserved and scholarly artist. From 1963 to 1973, he taught in the Department of Architecture at Tunghai University. He was awarded a grant from the John D. Rockefeller III Fund in 1966, which enabled him to study international contemporary art in the United States. Since then, Chuang has been living and working in New York. Chuang Che has devoted much time to the study of painting, accumulating vast knowledge concerning its theories and those of abstraction. His approach to abstract landscape paintings has been nature's outer appearance to ultimately the essence of physical world. Influenced by calligraphy, Chuang's lines, forms and compositions overflow with spiritual and intrepid momentum. He uses the brush to paint lyrical colors and spaces in a rhythmic and ecstatic manner. Compositions include organic drips and splashes of paint that impart his work with feelings of force, gravitas, and desolation create areas of hazy richness. Profound rhythms of drawing in and pushing out glide chaotically through his compositions, and open pathways that reveal the artist's genuine moments of epiphany.
Selected Solo Exhibitions: "Chuang Che Anniversary Solo Exhibition: As Lofty as a Mountain 1960-2019" (Asia Art Center, Taipei, 2020), "Effusive Vitality: CHUANG CHE Retrospective Exhibition" (Taipei Fine Arts Museum, Taipei, 2015), "Holistic View · Microscopic Vision" (Asia Art Center, Taipei, 2012), "Deep Ridge VS Remote Way" (National Art Museum of China, Beijing, 2007), "Chuang Che Solo Exhibition" (Asia Art Center, Taipei, 2006), "Taiwan Modern Art: 2005 Record of Kuandu Heroes" (Kuandu Museum of Fine Arts, Taipei National University of the Arts, Taipei, 2005), "Primal Form - An Exhibition of Chuang Che's Painting" (National Museum of History, Taipei, 2005)
Selected Group Exhibitions: "Zeitgeist: Abstract Art of Eastern Origin" (Asia Art Center, Beijing, 2019), "1960 - The Origin of Taiwan's Modern Art" (Asia Art Center, Taipei, 2016), "Pioneers of abstraction (1955-1985)" (The Museum of Ixelles, Belgium, 2017), "Spirit of the East II - Bridging" (Asia Art Center, Beijing, 2010)
Public Collections: Cleveland Museum of Art (USA), the Detroit Institute of Arts (USA), University of Michigan Museum of Art (USA), Shanghai Art Museum (Shanghai), CAFA Art Museum (Beijing), Hong Kong Art Museum (Hong Kong)
正在展出 Current Exhibitions
亚洲艺术中心（台北） 《战后的台湾色彩 - 马白水》