McaM 展览丨“无声之后”艺术家介绍 Vol.1/5
Vibeke Mascini
摄影 Photo credit: Florian Braakman
维贝克·马西尼（1989年出生于荷兰）的创作通过装置、声音、视频和文本等流动媒介，探索抽象现象扩延到感官范畴的尺度，并试图在亲密关系中寻求能动性。在与科学家、工程师、公职人员和音乐家的长期合作中，她提出了一种对电能的有意识解读，将其陈述为物种、媒介与自然、物质与能量之间相互连接和纠缠。她的出版包括《沃尔特·乌门霍夫的凹痕》(2015)和《云逆》(2017)。维贝克曾是荷兰皇家视觉艺术学院的驻留艺术家(2021-2023)，她目前是荷兰海牙皇家艺术学院的长期导师。
Vibeke Mascini (b.1989, the Netherlands) explores, through fluid media including: installations, sound, video and text, a scaling of abstract phenomena into a sensorial scope, with the intention to seek agency from intimacy. In long-term collaboration with scientists, engineers, government employees and musicians she proposes a conscious understanding of electric energy as a statement of interconnectedness and entanglement – between species, media and nature, matter and energy. Her previous publications include The Dent of Walter Umenhofer (2015) and Cloud Inverse (2017). Vibeke is a recent Rijksakademie alumna (2021-2023) and a long-term tutor at the Royal Academy of Art in The Hague, the Netherlands.
Ella Finer
摄影 Photo credit: Debbie Bragg
埃拉·芬纳的声音和表演创作涵盖写作、作曲和策展领域，尤其关注女性声音如何占据空间；身体如何能在声学上扰动、挑战以及改变对空间的占据方式。她基于声音的研究不断质问文化表达的所有权；常通过合作式项目，将聆听作为一种深度关注、依附及互惠的实践。目前，她即将完成第一部著作《听觉社区与野生声音》，关注那些滑落至行政管控之外的内在力量。她将声音视作是批判的鼓动者，探讨声音如何抵抗档案分类，并创造、传播超越机构边界知识的可能。
Ella Finer's work in sound and performance spans writing, composing, and curating with a particular interest in how women’s voices take up space; how bodies acoustically disrupt, challenge, or change occupations of space. Her research continuously queries the ownership of cultural expression through sound; often through collaborative projects centring listening as a practice of deep attention, affiliation and reciprocity. She is currently finishing her first monograph Acoustic Commons and the Wild Life of Sound, a work considering the inherent power in/of that which falls outside of administrative control – as a way of thinking through the sonic as critical agitator: how sound resists categorization in the archive; how sound makes and disperses knowledge beyond the bounds of the institutional building.
Shubigi Rao
摄影 Photo credit: Elizabeth Gilbert Lee
舒比吉·拉奥是一位艺术家和作家，她的研究领域包括历史与谎言、文学与暴力、档案系统、生态与自然历史。她的电影、艺术、文本和摄影作品关注视角转变之下当下和历史事件的导火点，审视有关人和错置的当代危机，以及语言、文化和知识体系。
拉奥目前的长期项目《纸浆：被放逐之书的简短传记》(Pulp: A Short Biography of the Banished Book）关注毁坏书籍、抵抗和知识的未来。2020年，该项目的第二卷荣获新加坡文学奖（非虚构组）；该项目的第一卷在2018年获得该奖项提名。该项目的首次展览“边缘书写”（Written in the Margins）赢得了2018年APB Signature Prize评审奖。
拉奥曾代表新加坡参加了2022年威尼斯双年展国家馆展览。她还曾参与第10届亚太三年展、第4届科钦-穆齐里双年展、第10届台北双年展、第3届普纳双年展、第2届新加坡双年展以及新加坡作家节（2013年、2016年、2018年、2021年、2022年、2023年）。近期个展包括在香港Rossi & Rossi画廊举办的“自食其尾”（Eating One’s Tail）。她还担任了第5届科钦-穆齐里双年展（2022）的艺术总监。
Artist and writer Shubigi Rao’s interests include histories and lies, literature and violence, archival systems, ecologies and natural history. Her films, art, texts, and photography look at current and historical flashpoints as perspectival shifts, examining contemporary crises of displacement, of people, languages, cultures, and knowledge bodies.
Her current decade-long project, Pulp: A Short Biography of the Banished Book is about the history of book destruction and the future of knowledge. In 2020, the second book from the project won the Singapore Literature Prize (non-fiction), while the first volume was shortlisted in 2018. The first exhibition of the project, “Written in the Margins”, won the 2018 APB Signature Prize Juror's Choice Award.
Rao represented Singapore at the National Pavilion in the Venice Biennale in 2022. She has also been featured in the 10th Asia-Pacific Triennial, 4th Kochi-Muziris Biennale, 10th Taipei Biennial, 3rd Pune Biennale, 2nd Singapore Biennale, and the Singapore Writers Festival (2013, 2016, 2018, 2021, 2022, 2023). Recent solos include “Eating One’s Tail”, at Rossi & Rossi Gallery, Hong Kong. She was also the Artistic Director for the 5th Kochi-Muziris Biennale (2022).
刘窗
刘窗（1978年出生于天门）2001年毕业于湖北美术学院油画系，现生活工作于上海。他的作品包括移动影像、雕塑、现成品和装置。刘窗的作品通常将长时段的历史和生态弧结合起来进行想象，追踪当代中国的社会、文化和经济转型。他编织了连接微观和宏观、过去和现在、虚构和现实的叙事，探讨了自然、传统、人口、尖端技术和社会经济体系的巨大而复杂的变化如何影响个人以及他们与整个世界的接触。
刘窗的作品曾在以下美术馆展出：雅典国立当代艺术博物馆（2022），奥斯陆阿斯楚普费恩利现代艺术博物馆（2022、2017和2007）；巴黎蓬皮杜艺术中心（2021、2020和2019）；蓬皮杜艺术中心-梅茨馆（2021），巴塞尔当代艺术馆（2021）；首尔市立美术馆（2021）；上海当代艺术博物馆（2021和2014）；东京都现代美术馆（2020）等。
刘窗最近参加的双年展包括有：“技术和工艺”，第十五届吕勒奥艺术双年展（2022）；“蝴蝶在泥浆上嬉戏：增强智慧资本”，第二届泰国双年展（2021）；“一次逃脱”，第十一届首尔媒体城市双年展（2021）；“水体”，第十三届上海双年展（2021）；“交融的激流：前沿心智”，第三届广州影像三年展（2021）等。
刘窗参加的电影节包括：32届新加坡国际电影节（2021）；第66届柏林国际电影节（2016）；第7届布切斯特国际实验电影节（2016）；第5届基辅国际短片电影节（2016）；第8届匈牙利Crosstalk录像艺术节（2016）：“幽暗生态学”；印度尼西亚Arkipel国际纪录&实验电影节（2016）。
Liu Chuang (b. 1978, Tianmen) currently lives and works in Shanghai. In 2001, he received his BA from the Hubei Institute of Fine Arts. Liu Chuang works primarily with film, sculpture, readymade and installation. His works often integrate long-term history and ecological arc for imagination, tracing the social, cultural and economic transformations of contemporary China. Weaving narratives that connect the micro and macro, past and present, fiction and reality, Liu Chuang explores how vast and complex changes in nature, tradition, demographics, cutting-edge technology, and socio-economic systems affect individuals and their engagements with the world as a whole.
His works have been featured in art museums including: National Museum of Contemporary Art Athens (ΕΜΣΤ), Athens, Greece (2022); Astrup Fearnley Museet, Oslo, Norway (2022, 2017, 2007); Centre Pompidou, Paris, France (2021, 2020, 2019); Centre Pompidou - Metz, Metz, France (2021); Kunsthalle Basel, Basel, Switzerland (2021); Seoul Museum of Art, Seoul, South Korea (2021); Power Station of Art, Shanghai, China (2021, 2014); MOT, Tokyo, Japan (2020) among others.
His recent biennales and triennials include: 58th Luleå Biennia: “Craft and Art” (2022); 2nd Thailand Biennial: “Butterflies Frolicking on the Mud: Engendering Sensible Capital” (2021); 11th Seoul Mediacity Biennale: “One Escape At A Time” (2021); 13th Shanghai Biennale: “Bodies of Water” (2021); 3rd Guangzhou Image Triennale: “Intermingling Flux” (2021) among others.
His film festival participation includes: 32nd Singapore International Film Festival (SGIFF), Singapore (2021); 66th Berlinale (Berlin International Film Festival), Berlin, Germany (2016); 7th Bucharest International Experimental Film Festival (BIEFF), Bucharest, Romania (2016); 5th Kyiv International Shot Film Festival, Kyiv, Ukraine (2016); 8th Crosstalk Video Art Festival: “Dark Ecology”, Budapest, Hungary (2016); Arkipel-Jakarta International Documentary & Experimental Film Festival, Jakarta, Indonesia (2016) among others.
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即将展览
2023.11.4 - 2024.2.25
策展人
龙星如、钱诗怡
助理策展人：陈子涵
艺术家
Vibeke Mascini & Ella Finer 、费亦宁 Fei Yining、Julie Freeman、刘窗 Liu Chuang、Nicole L’Huillier、许家维 Hsu Chia-Wei、Knowbotiq、Jeroen van Loon、Nicholas Mangan、Yuri Pattison、Diana Policarpo、Shubigi Rao、Riar Rizaldi、Susan Schuppli、Nastassja Simensky、Himali Singh Soin、苏郁心Su Yu Hsin、Jol Thoms、Nomeda & Gediminas Urbonas、Richard Vijgen、Susanne M. Winterling、黄美婷 Cosmo Wong、张北辰 Zhang Beichen
展陈设计
王一帆
主办
明园集团
McaM明当代美术馆
出品人
李松坚、凌菲菲
地址
上海静安区永和东路436号
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