McaM 展览丨“无声之后”开幕双周系列活动 Opening & Art week public activities
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2023年11月3日（周五）
开幕日程
*开幕活动凭邀请函入场
开幕演出 Opening Performance
舞裙 Dress *由瑞士文化基金会支持
时长 Duration：30min
艺术家：卡特娅·辛克
Artist: Katja Schenker
在行为作品《舞裙》中，卡特娅·辛克身着一条混凝土裙子，初看之下，似乎将她的身体禁锢为两块僵硬的表面。艺术家扭动翻滚、用手敲打自己的身体、或大步流星穿行于空间各处，她穿着这条“舞裙”的时间越久，似乎越能激发一种精致柔和之感。浇筑了混凝土的渔网轻柔地落在艺术家身上，线条近乎优雅。介于残酷与自弃之间，既是牢笼又是庇护，一切皆由心定。
In the performance “dress”, Katja Schenker appears in a concrete dress that initially restricts her body as two rigid surfaces. The longer she moves in this dress, writhing, tapping her own body with bare hands and striding through the spaces, the more the appearance also evokes a sense of delicacy and softness. The net cast in concrete now falls softly and undulates almost elegantly on the artist’s body. Self-determined, somewhere between brutality and abandonment, cage and shelter at the same time.
开幕周活动预告
11月5日（周日） 14:30–15:30
讲座 Lecture
数据设计：短暂性与永久性
Data Design: Ephemerality vs Permanence
时长 Duration：60min
艺术家：耶伦·范·洛恩
Artist: Jeroen van Loon
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需持“无声之后”展览门票入场观看
耶伦·范·洛恩，《一种互联网》，2016
摄影：Gert-Jan van Rooij
图片由艺术家惠允
Jeroen van Loon, An Internet, 2016
Photos by Gert-Jan van Rooij
Courtesy of the artist
耶伦·范·洛恩将在讲座 “数据设计：短暂性与永久性”中介绍自己艺术实践中的主要焦点：数字文化现状中短暂性与永久性的二元比较视角。他还将讲述数据（广义上的数据）在其作品中所扮演的角色，以及如何使用/误用不同类型的数据来创造新的叙事。
The lecture Data Design: Ephemerality vs Permanence will be about the main artistic focus in my practice: the contrast and duality of ephemerality and permanence found within digital culture. I will also talk about the role that data (in the broadest sense of the word) plays in my work and how I use/mis-use different types of data to create new narratives with them.
11月11日（周六） 14:30–15:30
演讲表演 Performance Lecture
地球戏剧2
Tellurian Drama 2
时长 Duration：60min
艺术家：里亚尔 · 里扎尔迪
Artist: Riar Rizaldi
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Illustration from Muhammad Dimyati's novel 'Dibalik Tabir Gelombang Radio (trans. Behind the Radio Waves)' from 1940
作为本次“无声之后”展览作品《地球戏剧》的续集，《地球戏剧 2》延续了影片《地球戏剧》开创的非虚构故事的可能性。而整个故事通过一个表演讲座展开，试图挖掘出马拉巴尔广播电台作为一项技术成就的历史、荷兰殖民时期印尼灵性知识的发展、20 世纪初地球科学的发展以及存在主义的风险焦虑之间所暗藏的一系列联系。
As a direct sequel, Tellurian Drama 2 continues the possibilities of nonfiction storytelling derived from Radio Malabar initiated by the film Tellurian Drama. The story expands through a performance lecture that tries to unearth the connection between the history of Radio Malabar as a technological achievement, the development of spiritual knowledge during the Dutch colonial period in Indonesia, the development of earth science in the early 20th century, and the anxiety of existential risk.
11月11日（周六） 16:00–16:30
肢体表演 Dance Theatre
可控置放
Controlled Arrangement
时长 Duration：30min
艺术家：李翩翩 & 蒙蒂·霍夫曼
Artists: Li Pianpian & Monty Hoffmann
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把尖锐的爆炸小心拿起，塞到安全的角落，是否就会让它消失
比停滞的空气更加静止，向假想的对象攻击，是否可以打破僵局
当每一秒的时间击打身体，无情地穿透堆积起来的解释，是否可以治疗迷惑
创作者尝试去释放个人的怀疑，但很可能适得其反
音乐家Monty Hoffmann为本作品创作的音乐，有一部分的音源来自于特制麦克风所收录到的电气录音，日常情况下人耳无法识别
About this little ball of flaming anger bumped around but nowhere to be released and a solution nowhere to be found. Music by Monty Hoffmann, blended with electromagnetic sound that is inaudible on the human hearing spectrum.
11月12日（周日） 15:00–16:00
讲座 Lecture
超越人类的艺术
Beyond-the-Human Arts
时长 Duration：60min
艺术家：乔尔 · 汤姆斯
Artist: Jol Thoms
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需持“无声之后”展览门票入场观看
图片致谢艺术家 Courtesy of the artist
艺术家介绍
卡特娅·辛克 Katja Schenker
图片致谢艺术家 Courtesy of the artist
卡特娅·辛克1968年生于瑞士圣加仑（St. Gallen），目前生活和工作在苏黎世。从1989年至2000年，她相继在苏黎世大学和法国高等社会科学院（EHESS）学习比较文学，哲学，艺术史和造型艺术。她的艺术作品主要集中在现场表演、绘画、雕塑以及装置的内外部空间，并在大多数情况下强调天然材料的使用。这些材料的感官特性以及它们的环境、空间和时间维度（如质量、渗透性或易腐性）都在作品中发挥着重要作用。辛克的艺术作品旨在通过自身的行动以及观众之间的关系，增强对身体的体验和感知。在她的创作过程中，皮肤、开放性和封闭性等概念发挥了重要作用。
Katja Schenker (*St. Gallen, 1968) lives and works in Zurich. She studied comparative literature, art history and philosophy at the University of Zurich and the École des Hautes Études en Sciences Sociales in Paris. Her artistic works focus on the areas of live performance, drawing, sculpture and installations in internal and external spaces, highlighting the use of natural materials in most cases. The sensuality of these materials play an important role, as do their context, as well as their spatial and temporal dimensions, such as mass, permeability or perishability. Schenker’s artworks aim to thereby heighten the experience and perception of one’s own corporeality in relation to the bodies of the audience and that of the artist. In her processes, concepts such as skin, openness and hold play an important role.
耶伦·范·洛恩 Jeroen van Loon
摄影 Photo credit: Arthur Martin
耶伦·范·洛恩是一位荷兰艺术家，他以短暂性与永久性为视角进行研究、并以可视化的方式呈现当下的数字文化现状。他的作品曾在国际机构中展出，包括蓬皮杜艺术中心、柏林Transmediale媒体艺术节、IDFA 纪录片实验室、Aksioma、长征空间、乌德勒支中央博物馆、多特蒙德媒体艺术协会、IMPAKT视听艺术节、Verbeke基金会、荷兰春天表演艺术艺术节、巴黎Nemo国际数位艺术双年展、V2_实验室、开罗电子和新媒体艺术节（Cairotronica）、KIKK艺术节和MU艺术空间等。他曾获得K.F. Hein Kunststipendium奖，欧洲青年奖（European Youth Award），被提名2022年“新技术艺术奖”（New Technological Art Award，NTAA），并且是Brave New World Speaking Agency的艺术和技术讲者。
范·洛恩（1985年出生于荷兰赫尔托亨博斯）现居住和工作于荷兰乌得勒支，于乌得勒支艺术大学获得数字媒体设计学士学位和欧洲媒体艺术硕士学位。
Jeroen van Loon is a Dutch artist researching and visualizing current digital culture through the lens of ephemerality and permanence.
His work is exhibited internationally at venues such as Centre Pompidou, Transmediale, IDFA Doclab, Aksioma, Long March Space, Centraal Museum, HMKV | Dortmunder U, IMPAKT festival, Verbeke Foundation, SPRING performing arts festival, Nemo Biennale, V2_, Cairotronica, KIKK Festival and MU Artspace.
He received the K.F. Hein Kunststipendium, the European Youth Award, was nominated for the New Technological Art Award (NTAA) 2022 and is part of the Brave New World Speaking Agency as a speaker on art and technology.
Van Loon (b. 1985 in Hertogenbosch, lives and works in Utrecht) received a bachelor in Digital Media Design and a European Media Master of Arts from the HKU University of the Arts Utrecht.
里亚尔 · 里扎尔迪 Riar Rizaldi
摄影 Photo credit: Kay Beadman
里亚尔·里扎尔迪是一名艺术家和电影导演。他的创作主要运用移动影像和声音媒介，在黑盒子电影院或是展览空间中呈现大型影像装置。他的艺术实践主要关注资本与技术、劳动力与自然、世界观、类型电影以及理论虚构的关系。他的作品曾在多个国际电影节以及其他机构展出，其中包括洛迦诺、鹿特丹国际电影节、FID马赛电影节、维也纳国际电影节、BFI伦敦电影节、巴黎电影博物馆、东京NTT交流中心、台北双年展、伊斯坦布尔双年展、威尼斯建筑双年展、日惹双年展、印尼国家美术馆等。此外，他还在波尔图Batalha电影艺术中心和日内瓦摄影艺术中心等举办过个展和重要项目。
Riar Rizaldi works as an artist and filmmaker. He works predominantly with the medium of moving images and sound, both in the black-box of cinema settings as well spatial presentation as installation. His artistic practice focuses mostly on the relationship between capital and technology, labor and nature, worldviews, genre cinema, and the possibility of theoretical fiction. His works have been shown at various international film festivals (including Locarno, IFFR, FID Marseille, Viennale, BFI London, Cinema du Reel, Vancouver, etc) as well as Centre Pompidou Paris, NTT InterCommunication Center Tokyo, Taipei Biennial, Istanbul Biennial, Venice Architecture Biennale, Biennale Jogja, National Gallery of Indonesia, and other venues and institutions. In addition, solo exhibitions and focus program of his works had been held at Batalha Centro de Cinema, Porto and Centre de la photographie Genève amongst others.
李翩翩 Li Pianpian
现居上海的独立创作者，呈现以肢体为主多种艺术表达混合为辅的舞蹈剧场solo作品。最近偏向观察捕捉身体链接深处微小的跳闸。
Pianpian Li was an independent artist based in Shanghai; her works are mainly presented as solo dance theatre that feature various art forms. Recently, her focus shifted to observing micro glitches buried deep in the body-mind connections.
蒙蒂·霍夫曼 Monty Hoffmann
音像创作者兼舞台技术，活跃于英国伦敦的多种表演与创意艺术场景之中。
Audiovisual artist and skilled technician in London working across a broad range of events and disciplines in the creative arts.
乔尔 · 汤姆斯 Jol Thoms
摄影 Photo credit: Max Geuter
乔尔·汤姆斯（出生于多伦多）是一位驻伦敦的艺术家、研究员、声音设计师和教育者。他的作品跨越、重构人类/非人、宇宙、无形/有形之间的界限，以及在实验性视听艺术、量子场理论、环境人文学和神秘主义，以及女性主义的反殖民科学研究中对于科学的使用策略。他是“羊膜电台”声音艺术项目的创始人，委任艺术家创作关怀信息，于每个满月期间传送至太平洋深处。他目前是伦敦金匠学院艺术与生态项目的讲师。
汤姆斯曾获得MERU艺术科学奖项（2016），入围新技术艺术奖（2019年），并曾是斯图加特学院的研究员（2016–17）。他于2021年获得了威斯敏斯特大学的艺术研究实践博士学位。近期参加的展览包括：“世界的尺度”，荷兰当代艺术与生态中心；“未知的未知：神秘事物展”，第23届国际米兰三年展（2022-2023）；“海洋听觉”，伦敦AmbikaP3（2022）；“成为淡水和咸水”，Ocean Space，威尼斯（2022）；“漂移：艺术与暗物质”，（加拿大巡展：多伦多、温哥华、渥太华、金斯顿）。
Jol Thoms (b. Toronto) is an artist, researcher, sound curator, and educator based in London, UK. His audio/visual work crosses and reconfigures boundaries between the non/human, the ineffable, cosmological, and the scientific using strategies from quantum field theory, environmental humanities, and feminist anti-colonial science studies. He is the founder of the ongoing Radio Amnion sound art project commissioning and transmitting artists’ messages of care deep in/to the Pacific Ocean during each full moon. He is concerned with enhancing and expanding conceptions and practices of ecology and communication beyond-the-human. He is currently Lecturer on the MA Art & Ecology at Goldsmiths University, London.
Thoms won the MERU Art*Science Award (2016), was shortlisted for the New Technological Art Award (2019), and was a Fellow of the Akademie Schloss Solitude, Stuttgart (2016–17). He received a practice-based PhD in Artistic-Research from the University of Westminster, London (2021) He recently participated in: The Measure of the World, RADIUS Centre for Contemporary Art and Ecology, Delft, NE (2023); Unknown Unknowns: An Introduction to Mysteries, 23rd International Triennale Milano (2022-2023); An Oceanic Hearing, AmbikaP3, London (2022); Becoming Fresh and SaltyDrops of Water, Ocean Space, Venice (2022); DRIFT: Art and Dark Matter, (touring exhibition in Canada: Toronto, Vancouver, Ottawa, Kingston)
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即将展览
2023.11.4 - 2024.2.25
策展人
龙星如、钱诗怡
助理策展人：陈子涵
艺术家
Vibeke Mascini & Ella Finer 、费亦宁 Fei Yining、Julie Freeman、刘窗 Liu Chuang、Nicole L’Huillier、许家维 Hsu Chia-Wei、Knowbotiq、Jeroen van Loon、Nicholas Mangan、Yuri Pattison、Diana Policarpo、Shubigi Rao、Riar Rizaldi、Susan Schuppli、Nastassja Simensky、Himali Singh Soin、苏郁心Su Yu Hsin、Jol Thoms、Nomeda & Gediminas Urbonas、Richard Vijgen、Susanne M. Winterling、黄美婷 Cosmo Wong、张北辰 Zhang Beichen
展陈设计
王一帆
主办
明园集团
McaM明当代美术馆
出品人
李松坚、凌菲菲
地址
上海静安区永和东路436号
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