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拾萬杭州|即将展出|田召亭:镜中悬

拾萬空间 拾萬 Hunsand Space
2024-08-30

拾萬空间(杭州)将于2023年6月18日开启田召亭个展:镜中悬。


Hunsand Space (Hangzhou) will present Tian Zhaoting's solo exhibition " Mirrored Suspension " on June 18, 2023.


艺术家:田召亭

展览时间:2023年6月18日-2023年8月31日

开幕时间:2023年6月18日  周日 下午4点




“镜花水月”经常被用来比喻虚幻的景象,但它的原意却是指诗歌或者文学作品中空灵而又不可捉摸的意境,本次展览的主题便来源于后者。田召亭的风景画也有着类似的特质,他的画面看似平衡稳定,但其中的物象如蜘蛛、昆虫、织网、楼房、湖泊以及那些难以描绘的色块却被埋藏在底层,仅仅通过层层的棉布材料叠加才得以透露出来,进而灵动、缥缈得宛若“四面皆水,水水有月;四围皆镜,镜镜有花”。但也正是这些隐约透露出来的物象,才将我们引到一个暧昧复杂且难以言说的世界中来。


这种叠加覆盖式的方法,其基础便是田召亭日常的户外写生。在他的眼中,自然空间中的天空、大地、树木、人和建筑似是有机的一体,但有时候,它们又在某个瞬间开始不自觉地位移和飘动,最终连同整个世界在个人的主观意识里悬浮起来——就像摄影的二次曝光、电影的蒙太奇、闪回或画面独白一般,慢慢凝化为一个笼统而玄妙的世界。也就是在这个世界缓慢位移的过程中,田召亭眼中的现实,开始依托个人记忆和情感逻辑重新组织,最终跳脱出那个眼见的外界本身。


基础日常的户外写生是田召亭“风景”创作的题材土壤,他将“风景”视为一种“文化传达媒介”,真实与幻象并行。因“感受”起念开画,而后追随绘画的逻辑走向一种含蓄内敛的带有未知感的世界。丙烯透明色再加上纱布,它们的结合让惯常的城郊风景被暖化,颜色感透气而舒展,好似温润了城市化和工业化的一部分冷酷。多层画面叠加,生成时空错置。萦绕的飘渺感,将视觉的记忆拉向远方或者远古。


田召亭|Tian Zhaoting湖面|Lake丙烯、纱布、麻布|Acrylic, Gauze, Linen90×80cm2023




田召亭,1988年生于山东省淄博市。2019年至今任教于北京电影学院美术学院,2011年本科毕业于清华大学美术学院绘画系,2012美国波士顿大学视觉艺术学院绘画系访问学者,2014年硕士毕业于清华大学美术学院。



Artist: Tian Zhaoting

Duration: June 18, 2023 - August 31, 2023

Opening: 4:00 PM, Sunday, June 18, 2023




The phrase "Mirror Flowers, Water Moon" is often employed to metaphorically depict ethereal and illusory scenes. However, its original essence lies in the delicate and elusive artistic conception found in poetry and literature. It is precisely from this origin that the theme of this exhibition takes its inspiration. Tian Zhaoting's landscape paintings encapsulate similar qualities. While the compositions exude a semblance of balance and stability, concealed within the layers are elements such as spiders, insects, webs, buildings, lakes, and indescribable hues, which are unveiled through the gradual superposition of cotton fabric. They emanate a sense of ethereal enchantment, akin to "water enveloping all sides, reflecting the moon's luminosity; mirrors encompassing every angle, adorned with blossoming flowers." Yet, it is through these subtly revealed elements that we are drawn into an enigmatic and ineffable realm.


This technique of overlapping and veiling originates from Tian Zhaoting's regular practice of plein air sketching. In his discerning gaze, the celestial expanse, terrestrial domain, foliage, human figures, and architectural structures coalesce organically, yet on occasion, they undergo involuntary translocation and ethereal drifting in a fleeting moment. Eventually, they, along with the entire cosmos, levitate within the realm of personal subjective consciousness. Analogous to the artistry of double exposure in photography, the montage technique in cinema, or the evocative interplay of flashbacks and monologues, they gradually solidify into a realm both ethereal and profound. Amidst this gradual transposition, Tian Zhaoting's perception of reality, supported by personal memories and emotional logic, undergoes a process of reconfiguration, ultimately transcending the tangible external world itself.


Fundamental daily outdoor sketching forms the fertile ground for Tian Zhaoting's artistic explorations of "landscapes." To him, "landscape" assumes the role of a "cultural medium for communication," wherein the interplay of reality and illusion unfolds. Prompted by introspective "sentiments," he embarks on his creative journey, allowing the course of his paintings to follow an intricate logic, resulting in a refined and introspective world imbued with a sense of the unknown. Through the interplay of acrylic transparent colors and gossamer-like fabric, the familiar scenery of suburban landscapes acquires a softened ambiance, granting the hues a breathable and expansive quality, reminiscent of thawing the austerity imposed by urbanization and industrialization. Multiple layers of imagery intertwine, giving rise to temporal and spatial dislocations. The lingering ephemeral sensations draw visual memories toward distant horizons or bygone eras.


田召亭|Tian Zhaoting歌剧院|Opera丙烯、纱布、麻布|Acrylic, Gauze, Linen100× 80cm2023


Born in Zibo, Shandong Province in 1988, Tian Zhaoting currently serves as a faculty member at the School of Fine Arts, Beijing Film Academy since 2019. He completed his undergraduate studies in the Department of Painting, Academy of Arts & Design, Tsinghua University in 2011, followed by a visiting scholar program at the School of Visual Arts, Boston University in 2012. He obtained his Master's degree from the Academy of Arts & Design, Tsinghua University in 2014.


相关链接:

拾萬石家庄|风景画|田召亭




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相关链接:

拾萬石家庄 | 展览现场 | 阎实:环宇服装店

拾萬石家庄 | 即将展出 | 阎实:环宇服装店 | 莫倪健:行走≈多巴胺≈安全感

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相关链接:
拾萬北京|孙大量:灵与欲|展览现场
拾萬北京 | 即将展出 | 孙大量:灵与欲



拾萬空间(北京)于2014年成立于北京草场地艺术区,2018年迁至北京798艺术区,并于2021年年底开设石家庄分馆拾萬当代艺术中心,于2023年在杭州龙坞开设分馆。拾萬空间(北京)作为专业画廊,对常规意义的方盒子展览保持警惕,意欲从当代艺术语言中的语法和语意结构出发并将之延展到更广泛的领域;希望通过持续的展览和项目,激发出当下文化中被忽视的部分,将当代艺术思想的价值生发到你我的身边。

Hunsand Space (Beijing) was established in Caochangdi Art District in 2014, relocated to the 798 Art Zone in 2018. At the end of 2021, Hunsand Center for Contemporary Art (Shijiazhuang) was opened in Shijiazhuang. In 2023, Hunsand Space (Hangzhou) was founded in Long Wu, Hangzhou. As a professional gallery, Hunsand Space (Beijing) keeps vigilance in presenting art exhibitions with conventional way in white cubes, aiming to take the semantics and syntax from the language of contemporary art as a point of departure and expand them into a broader field. Through its vigorous programs of exhibitions and projects, Hunsand Space (Beijing) hopes to stimulate the neglected aspects in contemporary culture and brings the values of contemporary art into our lives.




北京画廊开放时间 Opening hours :
周二-周日 TUE-SUN 10:30-18:30

石家庄画廊开放时间 Opening hours :
周一-周日 MON-SUN 10:00-19:00

杭州画廊开放时间 Opening hours :
周二-周日 TUE-SUN 10:30-18:00(冬季)11:00-19:00(春夏秋)


拾萬空间|北京
拾萬当代艺术中心|石家庄
拾萬空间|杭州
              

微信 | WeChat: hunsandspace
微博|Weibo: 拾萬空间
Instagram: hunsand_space

T:010-57623059 (北京)
T:0311-66600320 (石家庄)
T:0571-81950130(杭州)
E:hunsand@hunsand.com
W: www.hunsand.com




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