亚洲视频 | 李真受邀参加“2020 - 松美术馆邀请展”
展名 / Title: 2020 - 松美术馆邀请展
2020 - Song Art Invitation Exhibition
展览总策划/ Exhibition Producer: 娟子 Juanita
学术顾问 / Academic Adviser: 冯兮 Feng Xi
展览时间 / Duration: 2020.06.20 (Sat）- 08.30 (Sun)
展览地点 / Venue: 松美术馆 Song Art Museum
北京市顺义区格拉斯路
Grasse Road, Shunyi District, Beijing
- · 2020 ·
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· 展览现场 Exhibition Onsite ·
李真擅长运用材料特质产生对话，将冰冷的铜雕温润暖化，得以塑造成变化多端又栩栩如生的视觉语言。在“日藏”系列中，雕塑的墨黑色以前所未见的方式与亮金色融合，发展出光影交结的视觉震撼，呈现出多层次的两极对比：夜与日、阴与阳、虚与实。
在《日藏·月风》中，无形的风透过成形到动态的过程被捕捉，形成一个时间阶段的串联，其形体唯独在漆黑的背景中方才能略被辨识。而此件中的光不仅是夕日残景的自然现象，更是认知启蒙的象征，因此风在光下的实物化可视为一种自然界抽象的揭示，并与解读符号象征的知性能力形成对等关系。李真的《日藏·月风》是东方文人对月光与其神秘性格的雕塑诠释，以及对于事实的认知和事实本身的对比呈现。
作品《清风云露》于2005年完成，是“大气神游”系列之一，充满着神仙和诗人的浪漫情怀。其雕塑形态自若惬意，云朵竟如此轻巧飘然，让人赏心悦目。李真极为擅长处理这种量体轻重对应关系，如同“独上雄峰天之界，轻驾浮云乐逍遥”的绝妙东方艺术，直接传达到心里。
Li Chen completed his work Smoothing Breezes Floating Clouds in 2005 as part of his series "Spiritual Journey through the Great Ether", and it is full of the romantic mood of immortals and poets. The sculpture has a self-satisfied manner, with the figure floating ethereally and aesthetically on top of clouds. Li Chen certainly excels at dealing with this type of corresponding relationship between the form and impact of the image. This type of eastern art has a direct transmittance to the heart, and is as described in his lines of verse: "standing alone on heavenly mountain tops, floating unfettered on clouds."
The figure appears as a Taoist god flying in the fairyland upon the cloud. He has a composed easiness, and a clear soothing temperament. Li Chen once described the ideal status of human as such, "Formed as a morning dew, looking at the distant sky, standing on the sun blessed earth, driving with the green mist, the man can wave the fan of heaven, call for the wind, travel freely indifferent zones of spirits and manipulate power in unlimited forms." Meanwhile, he never overlooks the humanity side of the physical existence, and comments with his sense of humor, “man blows his nose as the temperature drops.”
Li Chen is adept at creating dialogue through materials, particularly in breathing warmth and variability into the brutally cold bronze, enhancing sculpture with a sense of plasticity that allows it to be transformed into vividly animated imagery. In the sub-series of Eclipse, his unprecedented combination of glittering gold and ink-ish black present a dramatic visual contrast of light and shadow, which alludes to multi-layered polarities of day and night, yin and yang, reality and nonexistence.
In Eclipse · Twilight Breeze, the invisible form of wind is captured through its temporal phases, from formation to motion, its body glitters against an overwhelmingly dark background, revealing itself only slightly to indicate its presence. The light in this sense not only alludes to the glimmer of twilight, but also a sign of cognitive enlightenment; therefore, the revelation of wind under light may be regarded as an act of disclosing natural abstraction, which is contrasted to our ability of reading symbolism to understand the underlying delivery of a greater whole. Hence, Li Chen's Eclipse · Twilight Breeze is a sculptural translation of the Eastern idolization toward moonlight and its mystic characteristic, while displaying a parallel comparison between our perception of reality and the reality itself.
* 意态青烟 - 李真新作 Ⅱ * 意态青烟 - 李真新作 Ⅲ * 意态青烟 - 李真新作 IV * 李真2012年青烟系列作品《风狂》
* 青烟 - 李真新作展 * 夏可君 “李真艺术的新阶段：青烟的意态幻化”
* 展讯 | 青烟 - 李真新作展 * 现场 | 青烟 - 李真新作展 * 意态青烟 - 艺术中的浑然天成 * 青烟 - 李真新作展入围雅昌月度画廊影响力榜单
关于美术馆 About Museum
松美术馆是由世界知名收藏家王中军先生亲自策划并创办的私人美术馆，不仅向大众展示王中军个人的珍贵藏品，也为艺术的研究和创作提供了新的平台与可能。美术馆包括12个展厅、1个公共休闲空间，和1个艺术衍生品空间，总占地面积约22,000平方米。作为松美术馆与其他美术馆在建筑构成上的最大不同：一是极为简练的当代建筑符号，传递出“净”之观感；二是199棵象征着君子风骨的松树散落院中，代表着松的纯粹、峻然，构成了参观体验和建筑结构上的双重延伸。从2017年开馆至今，松美术馆先后举办了三次大型中国艺术展，并将继续通过有序且高质量的系列展览、结合收藏、研究、教育、出版和公共活动，推动中国当代艺术的发展，参与国家当代艺术家项目交流。
As a private art museum the Song Art Museum is established by Mr. Wang Zhongjun a world-class artwork collector to not only present his precious collection but to also provide a new platform for art research and creation opportunities. The museum consists of 12 exhibition halls, a public leisure space and an art derivatives space spanning over 22,000 square meters. In terms of the architectural composition, the largest differences of the Song Art Museum from other museums are: firstly, conveying the sense of “cleanness” through the extremely concise modern architecture; secondly, the dispersed planting of 199 pine trees in the courtyard which represent the purity and majesty of a gentleman to form the double extension of the experience in visiting the museum and architectural composition. Since its opening in 2017 it has held 3 large Chinese artwork exhibitions and will continue to push forward the development of Chinese modern art, and participate in the exchanges with International modern arts (projects) by orderly hosting a series of high-quality exhibitions coupled with collection, research, education, publication and public events.
关于艺术家About Artist
李真，1963年生于中国台湾云林，目前创作于台中、上海两地，以其兼融东方气韵及西方美学的雕塑作品，获得国际关注。
李真早期涉猎佛学道家等，在自由创作的精神中融入自我摄心之情感，吸收东方传统与西方雕塑及原始非洲大洋洲等艺术养分，更结合当代思维，作品不受单一传统束缚，呈现既重又轻、浑然天成的效果。李真透过艺术进行个人的“精神疗伤”，在俗世中寻找乐土，在作品中创造灵性空间，用幽默诙谐的方式暗喻世事，希望欣赏者能察觉其中的精神元素。 1999年于台北举办首次个展，也是首位在威尼斯双年展举办个展的华人艺术家。其作品于中国美术馆（北京）、震旦博物馆（上海）、苏州博物馆（苏州）、松美术馆 （北京）、新加坡美术馆（新加坡）、中正纪念堂广场（台北）、弗莱伊美术馆（西雅图）、旺多姆广场（巴黎）、台北当代艺术馆（台北）进行展出。
Li Chen was born in 1963, and currently works in Taichung and Shanghai. Li Chen has gained international attention for his sculptures represented both oriental tradition and western aesthetics.
Li Chen accomplished a style which has fully liberated himself from the confines of tradition by incorporating feelings of self-mindfulness and interpretations of Chinese classics from the Buddhist and Taoist traditions. Though blending with contemporary thought, Li Chen evinced a remarkably refreshing and natural effect of appearing both heavy and light. The underlying aesthetic principles in Li's sculpture are based not only on a "dual composition" of Eastern traditions and Western sculptural language but also on an ongoing dialogue with the spiritual and material cultures of Africa and Oceania. Furthermore, Li Chen's art work aspires to a spiritual arts therapy, uncovering a wealth of joy amidst the simple life's pleasure, innovating a spiritual space through the pieces, as humor embellishes a metaphorical engagement with the world.
Since his works first appeared to the public in 1999 in Taipei, Li Chen has been an active figure both domestic and abroad. Li participated in the 52nd Venice Biennale, being regarded as the first individual artist of Chinese descent to be invited to arrange a solo exhibition in the event. Li Chen has presented solo exhibitions at National Art Museum of China (Beijing), Aurora Museum (Shanghai), Suzhou Museum (Suzhou), Song Art Museum (Beijing), Singapore Art Museum (Singapore), Chiang Kai-shek Memorial Hall (Taipei), Frye Art Museum (Seattle), Place Vendôme (Paris), Taipei MoCA (Taipei).
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松美术馆（北京） 《2020 - 松美术馆邀请展》
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