欧鸣个展《水身体时间》 | Water Body Time Solo Show by OuMing | 自由微信

欧鸣个展《水身体时间》 | Water Body Time Solo Show by OuMing

Original 工作室画廊工作室画廊studiogallery 2021-02-05

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工作室画廊_画廊空间 荣幸地宣布，雕塑家欧鸣的最新个展《水身体时间》已于2018年11月4日在画廊空间正式开幕。这是艺术家时隔两年半之后在画廊举办的第二次个展。用石膏作为其雕塑创作主要的材料是欧鸣最早为人所知的特点。十五年来，随着创作的深入及阅历的积累，欧鸣的雕塑变得越来越“简单”。作品中没有复杂的造型，观众看不到任何意图，创作主体（艺术家）也变得越来越透明。

Studio Gallery_ Gallery Space proudly annouces that new solo exhibition by sculptor Ou Ming entitled Water Body Time has officially opened on 4th Nov. 2018. This is Studio Gallery’s second opportunity to showcase an Ou Ming solo exhibition. Ou Ming first garnered attention for creating plaster-only sculptures. Over the past 15 years, with the deepening of his practice and accumulation of experience, Ou Ming’s sculpture has become more and more “simple”. There are no complex shapes in his work; you can’t detect any intentions as the artist himself has become more and more transparent.

可被触摸的时间2018 | Make Time Tangible2018

石膏 | Plaster，2017-2018

展览现场图 | Exhibition view of the work

《可被触摸的时间2018》系列作品被安排在中间的展厅。四个洁白细腻的实心石膏体矗立在水泥色的地板上。造型、颜色这些激发视觉联想的线索都被切断，目光被逼到雕塑表面，艺术家双手划过留下的细微痕迹上使身体的行为变得具体而实在。同时制作过程中在地板上遗留的斑斑痕迹被刻意保留，“正在发生”这一时间暗示非常的清晰。艺术家用石膏会自动固化的特性一层一层地堆积，覆盖，慢慢塑造而成。期间，艺术家体验石膏材料从液体到固体的触觉变化; 以及艺术家“想去做到的”与“最终变成现实”的结果之间的精神变化。

The series Make Time Tangible (2018) is arranged in the gallery’s middle room where four delicate yet solid white plaster sculptures stand on the cement-colored floor. As shape and color are traditionally used to guide the viewer’s experience, Ou Ming has made the bold choice to discard of these conventional principles. Therefore, our attention is focused on the sculptures’ surface: the subtle traces left by the Ou Ming’s hand manifest the presence of the artist’s body. Simultaneously, the white splatters and pools at the base of each sculpture were not erased but allowed to dry as evidence of material process. By encapsulating the material process, the artist implies that creation is still “happening right here, right now.” Since plaster solidifies quickly, the artist emphasizes this feature by gradually shaping the plaster sculpture layer by layer. During which, he experiences the tactile difference of plaster changing from liquid to solid and the spiritual transformation between what the artist “wants to do” and what “turns out to be reality” over and over again.

可被触摸的时间2018 | Make Time Tangible 2018

石膏 | Plaster，2017-2018

展览现场图 | Exhibition view of the work

可被触摸的时间2018 –3, 1

Make Time Tangible 2018 –3, 1

石膏 | Plaster，2017-2018

3: 102(h) x 30(w) x29(d), 1: 48(h) x 42(w) x24(d)

处境 | Situation

三个空心石膏球体，水性色浆

three hollowed plaster spheres, water-based colour paste

75, 70, 60cm (直径dia.), 2018

《处境》这件作品从视觉上给人一种非常科幻的感觉。洁白光亮的空间内有三个空心的石膏球体，它们表面粗糙，是艺术家双手制作所遗留的痕迹。同时作品内部被事先放入了色浆，所以球体底部会不断蔓延出鲜亮的颜色，渗透到地面以及周围的空间中去。而随着时间的变化，石膏的水份不断蒸发，这些颜色仍将不断地蔓延变化。这一刻，人的不安、兴奋与期待似乎与这个空间融为一体了。

The work Situation, appears very “sci-fi” visually. The bright white room contains three hollowed plaster spheres with a rough surface left by the artist’s hands. By placing colourants inside each piece in advance, the bright colors spread out from the bottom of the sphere and seep into the ground. With time passing and the water evaporating inside each piece, the color spread further and further. At this moment, the viewer’s feelings of unease, excitement, and expectation integrate holistically into the entire space.

处境 | Situation，2018

三个空心石膏球体，水性色浆

three hollowed plaster spheres,

water-based colour paste

展览现场图 -1周变化纪录

Exhibition view of the work - Changes in 1week

处境 | Situation，2018

三个空心石膏球体，水性色浆

three hollowed plaster spheres,

water-based colour paste

展览现场图 -1周变化纪录

Exhibition view of the work - Changes in 1week

《花园》系列是欧鸣最近期的创作。之所以取名花园是因为这组作品就如鲜花一般每天都需要浇水。当作品在湿水之后，表面鲜亮的颜色就会消失，而在水分收干的过程中颜色又会慢慢恢复到作品上。很显然，艺术家企图营造一系列不断变化，生长的实体，让作品一直处于变化之中，并被大家直观的感觉到。犹如花朵一样，生长，开放，凋零……

Garden is the most recently created series featured in the show Water Body Time. The series is appropriately named Garden as each piece will be watered like a plant everyday. After being watered, the bright color on the surface will disappear and gradually reappear in the process of drying. The artist’s desire to produce a series of constantly changing and growing entities presents artwork always in a state of variation and easily witnessed by anyone. Just like flowers, they will grow, bloom and wither.

花园系列 | Garden series

石膏、色浆 | Plaster, Water-based Color paste 2018

展览现场图 | Exhibition view of the work

花园系列 | Garden series, 2018

石膏、色浆 | Plaster, Water-based Color paste

展览现场图 | Exhibition view of the work

花园系列 – 1 | Garden series-1

33(高h) x 70(长w) x 20(宽d)cm

石膏、色浆 | Plaster, Water-based Color paste，2018

花园系列 – 3 | Garden series-3

58(高h) x 36(长w) x 34(宽d)cm