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鲍栋：封面上的飞地丨哪27位艺术家在开馆展
《飞地》是一本诗歌期刊，前身是《诗林》，我从2009年开始给《诗林》提供当代艺术的内容，一篇艺术家短评，几张代表作的图片，再选一张做封面。
那些年纸媒还是热火朝天，有一个词总在耳边，“刊号”。《诗林》是哈尔滨文联的刊号，《HI 艺术》是《新疆画报》的刊号，《当代艺术与投资》是《致富之友》的刊号。《诗林》是别人的刊号与刊名，设计和排版管不了，每次看到封面设计都难免牢骚，所以早就暗下决心有机会一定要搞出一些漂亮的诗歌封面。很快机会就来了，内容审查越来越严，甚至赶不上订阅进度，索性放弃哈尔滨文联的刊号了，张尔在深圳申请了“书号”，继续“以书代刊”做诗歌杂志。
开始想叫“79”，出版社没通过，后来确定了叫“飞地”。大概是在广州时代美术馆露台上，蒋志的展览开幕的时候，是张尔来了一个电话，还是他也在现场？已经记不清了。总之，就叫《飞地》了。
2012年飞地丛刊第一期主题是“有诗为圳”，封面是王俊，那时我正好有一篇评论王俊的文章。以后每期我都尽量配合丛刊主题，选择一篇艺术家个案评论与作品图片，如果实在没有合适的，就另选别人合适的内容，十年下来，已二十六期。这正是本次展览主题和作品结构的来历，参展的都是封面艺术家，他们的作品按照出版时间顺序排列。
《飞地》是诗歌界最漂亮的期刊，除了优秀的设计排版之外，艺术家们的封面图片更功不可没。汉语新诗界与当代艺术圈交集并不多，互相陌生，甚至时常误解，当初叫“飞地”主要是暗喻特区，现在来看，它也暗示了当代艺术：在诗歌的版图上，有一片当代艺术的飞地。
2021年3月10日
Enclave is a poetry journal, formerly known as "Poets Circle". Since 2009, I have been offering content on contemporary art, usually consisted of short reviews of an artist's practice, a few images of representative works, and then chose one among them for the magazine's cover.
In those years when the print media was still thriving, the term "ISSN" often echoed around the ears. "Poets Circle" used the ISSN of Harbin Literary Union, "HI Art" used the ISBN of Xinjiang Pictorial, and "Contemporary Art and Investment" of "Friends of Fortune." Both the title and ISSN number of "Poets Circle" belonged to others, so the design and layout were not my prerogatives. Each time I saw the cover, I would grumble, for which I have long been secretly wishing to replace it with appealing and lyrical covers when I have the chance. Soon the opportunity came; as censorship on content became more stringent to the extent that subscriptions were falling behind, the journal finally gave back its ISSN to Harbin Literary Association. Zhang Er bought an ISBN in Shenzhen and continued to publish the journal of poetry in "book form."
At first, we wanted to rename the magazine "79", but the publisher rejected it, then we decided on the name "Enclave". The confirmation probably happened during Jiang Zhi's exhibition opening At the Times Art Museum in Guangzhou when Zhang Er made the phone call or was he also there? I can't remember anymore. In any case, the magazine was renamed "Enclave".
In 2012, the first issue of "Enclave" revolved around "poetry as a canal," with Wang Jun on the cover. I happened just to have reviewed Wang Jun's artworks at that time. In each subsequent issue, I try to match the magazine's theme to an artist's profile with images of his/her artworks. If nothing were suitable, I would choose content from other artists. Over the last decade, we've published 26 issues. These publications inspired the exhibition theme and structure. The artists in this show have been on the cover of the magazine. Their works are arranged chronologically according to the time of publication.
“Enclave” is the most notable magazine in the poetry world. Besides its excellent design and layout, the artists' cover images are even more noteworthy. The fields of Chinese New Poetry and contemporary art hardly intersect. They are unfamiliar with each other and often filled with misconceptions. At first, it was called "Enclave" to underscore the special economic zone of Shenzhen. Now looking back, it also highlights the position of contemporary art, where may an enclave be discovered on the map of poetry.
March 10, 2021
Translated by He Xiao
王俊 Wang Jun
陈彧凡 Chen Yufan
陈彧君 Chen Yujun
李燎 Li Liao
王蓬 Wang Peng
陈晓云 Chen Xiaoyun
蔡磊 Cai Lei
王光乐 Wang Guangle
王音 Wang Yin
梁硕 Liang Shuo
王郁洋 Wang Yuyang
杨心广 Yang Xinguang
丁乙 Ding Yi
林科 Lin Ke
姜吉安 Jiang Ji'an
郭熙／张健伶 Guo Xi／Zhang Jianling
宋琨 Song Kun
吴杉 Wu Shan
贺勋 He Xun
孙晓枫 Sun Xiaofeng
王俊 Wang Jun
36×26cm 纸面水彩 2018
Untitled (Utterance No. 5)
36×26cm watercolor on paper 2018
©千高原艺术空间｜courtesy of the artist and A THOUSAND PLATEAUS ART SPACE
陈彧凡 Chen Yufan
虚无的填充物 - 霓虹系列 1
72×40×37cm 工业霓虹灯 , 有机玻璃 2020
Void Filler-Neon Series 1
72×40×37cm industrial neon light, polymethyl methacrylate 2020
图片由艺术家提供｜courtesy of the artist
陈彧君 Chen Yujun
相似物 No.150808
84×72cm 布面丙烯，地板木 2015
Analogues No.150808
84×72cm acrylic on canvas, flooring timber 2015
李燎 Li Liao
If I Had 100 Million Yuan 20190524
42×148cm calligraphy on rice paper 2019
©空白空间｜courtesy of the artist and WHITE SPACE BEIJING
关音夫 Guan Yinfu
201827
88×66×15cm board, oil, acrylic 2018
图片由艺术家提供｜courtesy of the artist
王蓬 Wang Peng
Passing Through, New York (L)
00:12:30s performance, video 1996
图片由艺术家提供｜courtesy of the artist
Passing Through, Beijing (R)
00:12:30s performance, video 2006
图片由艺术家提供｜courtesy of the artist
陈晓云 Chen Xiaoyun
Untitled
60×50cm acrylic on canvas 2019
©香格纳画廊｜courtesy of the artist and SHANGHART GALLERY
蔡磊 Cai Lei
青铜，24K 金箔 2021
Beyond Gold 20210218
83×45.5×33.5cm Base: 113×45.5×33.5cm
bronze, 24K gold foil 2021
©唐人当代艺术空间｜courtesy of the artist and TANG CONTEMPORARY ART
徐小国 Xu Xiaoguo
1/2020
1/2020
120×150cm oil on canvas 2020
©徐小国工作室｜courtesy of the artist and XU XIAOGUO STUDIO
王光乐 Wang Guangle
寿漆 210312
Coffin paint 210312
82.5×62.5cm acrylic on canvas 2021
©北京公社｜courtesy of the artist and BEIJING COMMUNE
王音 Wang Yin
风景习作
Landscape Study
19×24cm watercolor on paper 2012
©王音工作室｜courtesy of the artist and WANG YIN STUDIO
梁硕 Liang Shuo
My Homeland 5
32.5×24×19.5cm pottery, oil Paint 2020
©北京公社｜courtesy of the artist and BEIJING COMMUNE
何翔宇 He Xiangyu
无题
丙烯，纸本 2017
Untitled
76×56cm Framed Dimensions: 80×60cm
acrylic, paper 2017
©空白空间｜courtesy of the artist and WHITE SPACE BEIJING
王郁洋 Wang Yuyang
The present, which has been faded by the future 201804
50×40cm ink on canvas 2018
图片由艺术家提供｜courtesy of the artist
杨心广 Yang Xinguang
烂泥 No.1
Mud No.1
24.5×24×5cm oil Paint, branches, steel 2018
©北京公社｜courtesy of the artist and BEIJING COMMUNE
丁乙 Ding Yi
Appearance of Crosses 2016-B33
90×60cm mixed media on linden wood 2016
©丁乙工作室｜courtesy of the artist and DING YI ART STUDIO
王海洋 Wang Haiyang
Skins ii - I Wish I Was Never Born No.4
65×49.5cm pastel on sandpaper 2019
©空白空间｜courtesy of the artist and WHITE SPACE BEIJING
林科 Lin Ke
赏月视频
Enjoy the Moon
00:04:03s performance, video 2020
©BANK 画廊｜courtesy of the artist and BANK MABSOCIETY
姜吉安 Jiang Ji'an
Gold Seal
56×90cm ready-made painting (Silk) 2019
图片由艺术家提供｜courtesy of the artist
郭熙／张健伶 Guo Xi／Zhang Jianling
大航海 - 蓝喉咙与五十玫瑰
Great Voyage - Blue Throat and Fifty Roses
30×40cm photography, silver salt black & white Photo 2015
©香格纳画廊｜courtesy of the artist and SHANGHART GALLERY
刘辛夷 Liu Xinyi
Geolocation Encryption Technique Manual
21×21.5×3cm polymer, clay, pins 2018
©空白空间｜courtesy of the artist and WHITE SPACE BEIJING
宋琨 Song Kun
No-No-Keep in Silence No.2
60×45cm painting installation, oil on canvas, laser belt, acrylic cover 2018
©星空间｜courtesy of the artist and STAR GALLERY
吴杉 Wu Shan
035. 乌夜啼 C
035.Wuyeti C
60×50cm lacquer, hemp, board 2019
©站台中国｜ courtesy of the artist and PLATFORM CHINA
董大为 Dong Dawei
Fault S4
50×65cm marker on paper 2014
图片由艺术家提供｜courtesy of the artist
贺勋 He Xun
Fruit
100×80cm oil on canvas 2016
图片由艺术家提供｜courtesy of the artist
孙晓枫 Sun Xiaofeng
Daubed Testimony
50×40cm mixed media on canvas 2021
图片由艺术家提供｜courtesy of the artist
封面——飞地艺术空间开馆展
Curators
鲍栋 Bao Dong
张尔 Zhang Er
Exhibition Director
全荣花 Jeon Younghwa
B4栋1楼东-飞地艺术空间
Opening date: 2021.03.20
Exhibition period: 2021.03.20 - 5.23
Exhibition adress: Shenzhen, Nanshan, OCT-LOFT North District, B4, 1F eastside, Enclave Contemporary
责任编辑：阿飞
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