安娜·斯维尔诗12首
Her poems have been collected in English translation in Building the Barricade (1974), Happy as a Dog’s Tail (1985), fat like the sun (1986), and Talking to My Body (1996), translated by Czeslaw Milosz and Leonard Nathan.
Swir’s poems about war and death use direct, simple language. In Building the Barricade she includes a section called “Poems about My Father and My Mother,” which affectionately describes scenes of her parents. Swir also wrote candidly and passionately about the female body; in his introduction to Talking to My Body, Milosz identified her central theme as “Flesh. Flesh in love and ecstasy, in pain, in terror, flesh afraid of loneliness, giving birth, resting, feeling the flow of time or reducing time to one instant.” Eva Hoffman, reviewing Happy as a Dog’s Tail for the New York Times, commented on Swir’s adept depictions of erotic love: “The quick, decisive strokes in which she registers moments of meeting, coupling or parting are almost abstract in their lack of surface detail, but they give us glimpses of a turbulent, even ferocious internal life.”
Swir’s awards include the Krzyz Kawalerski Oderu Odrodzenia Polski (1957), Krzyz Oficersk Orderu Odrodzenia Polski (1975), Nagroda miasta Krakowa (1976), and Medal Komisji Edukacji Narodowej.
The Greatest Love
She is sixty. She lives
the greatest love of her life.
She walks arm-in-arm with her dear one,
her hair streams in the wind.
Her dear one says:
“You have hair like pearls.”
Her children say:
“Old fool.”
Large Intestine
Look in the mirror. Let us both look.
Here is my naked body.
Apparently you like it,
I have no reason to.
Who bound us, me and my body?
Why must I die
together with it?
I have the right to know where the borderline
between us is drawn.
Where am I, I, I myself.
Belly, am I in the belly? In the intestines?
In the hollow of the sex? In a toe?
Apparently in the brain. I do not see it.
Take my brain out of my skull. I have the right
to see myself. Don’t laugh.
That’s macabre, you say.
It’s not me who made
my body.
I wear the used rags of my family,
an alien brain, fruit of chance, hair
after my grandmother, the nose
glued together from a few dead noses.
What do I have in common with all that?
What do I have in common with you, who like
my knee, what is my knee to me?
Surely
I would have chosen a different model.
I will leave both of you here,
my knee and you.
Don’t make a wry face, I will leave you all my body
to play with.
And I will go.
There is no place for me here,
in this blind darkness waiting for
corruption.
I will run out, I will race
away from myself.
I will look for myself
running
like crazy
till my last breath.
One must hurry
before death comes. For by then
like a dog jerked by its chain
I will have to return
into this stridently suffering body.
To go through the last
most strident ceremony of the body.
Defeated by the body,
slowly annihilated because of the body
I will become kidney failure
or the gangrene of the large intestine.
And I will expire in shame.
And the universe will expire with me,
reduced as it is
to a kidney failure
and the gangrene of the large intestine.
Happy as a Dog’s Tail
Happy as something unimportant
and free as a thing unimportant.
As something no one prizes
and which does not prize itself.
As something mocked by all
and which mocks at their mockery.
As laughter without serious reason.
As a yell able to outyell itself.
Happy as no matter what,
as any no matter what.
Happy
as a dog’s tail.
Myself and My Person
There are moments
when I feel more clearly than ever
that I am in the company
of my own person.
This comforts and reassures me,
this heartens me,
just as my tridimensional body
is heartened by my own authentic shadow.
There are moments
when I really feel more clearly than ever
that I am in the company
of my own person.
I stop
at a street corner to turn left
and I wonder what would happen
if my own person walked to the right.
Until now that has not happened
but it does not settle the question.
I Knocked My Head against the Wall
As a child
I put my finger in the fire
to become
a saint.
As a teenager
every day I would knock my head against the wall.
As a young girl
I went out through a window of a garret
to the roof
in order to jump.
As a woman
I had lice all over my body.
They cracked when I was ironing my sweater.
I waited sixty minutes
to be executed.
I was hungry for six years.
Then I bore a child,
they were carving me
without putting me to sleep.
Then a thunderbolt killed me
three times and I had to rise from the dead three times
without anyone’s help.
Now I am resting
after three resurrections.
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