电影《海上钢琴师》

The Legend of 1900

       丹尼•博德曼是美国客轮“弗吉尼亚”号的司炉。他在船上发现了一个被遗弃的婴儿，给孩子起名“丹尼•博德曼•T.D.雷蒙•一九〇〇”，即1900。博德曼把1900当作亲生孩子抚养，直到自己在客轮的一次事故中丧生。这个孩子从未离船，表现出绝佳的音乐天赋，尤其在钢琴弹奏方面。成年后，1900与船上乐队的小号手麦克斯成为了朋友。在客轮上生活多年后，麦克斯最终离开了，他向一家乐器店老板讲述了1900的故事。

      这是关于一个男人在一艘大西洋客轮上以演奏钢琴度过一生的影片，故事创意十分吸引人。影片开场有些费解，叙述者看似出自一部劣质黑色电影。初始的冲击过后，当满载移民的客轮进入纽约，乘客们看到自由女神像之时，影片呈现出一个绝美时刻。

      1900的人生在与杰利•罗尔•莫顿的斗琴中达到了顶峰，之后影片剧情几乎多半是在叙述者麦克斯的推动下缓慢发展。

Danny Boodmann, a stoker on an American passenger liner, Virginian, finds a baby abandoned on the ship. He names the child Danny Boodmann T.D. Lemon Nineteen Hundred ‘1900’ and raises the child as his own until his death in an accident on the ship. The child never leaves the ship and turns out to be a musical genius, especially when it comes to playing the piano. As an adult, he befriends a trumpet player in the ship’s band, Max. After several years on the ship, Max leaves, and tells the story of 1900 to the owner of a music store.

It’s a fable about a man who lives out his life as a piano player aboard a transatlantic liner, and it’s a very interesting story idea. The beginning of the film is odd, with a narrator that looks like something out of a bad film noir. After this initial shock, it does voice one really beautiful moment when a liner full of immigrants comes into New York, and the passengers see the Statue of Liberty.

1900’s life reaches its peak with a piano duel with Jelly Roll Morton, and after that the movie kind of ambles along, semi-propelled by the narrator Max.

 

 

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